Black Pearls [ RVG ]

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ALBUM INFORMATION

Total Tracks: 3   Total Length: 38:52

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Fearless Leader

Hangman

All three of these cuts, as well as the first two on "The Believer", are available in the same versions on the multi-disk Coltrane collection "Fearless Leader" (highly recommended), also available on eMusic.

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A word about the editions

AG

This track listing matches the original edition but Prestige did also issue a six track edition with a different cover at one point. The extra tracks from that edition are the same as the first three tracks on The Believer which is also available on emusic.

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John Coltraine

mariontaylor1976

Everything I download skip so I've yet to hear a whole CD. I'm suppose to have 25 free down loads which I only got one.

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Why?

bazthetaz

I thought there were six performances stretching over 2 LPs on the original - why only half the album?? Where's "Do I love you because you're beautiful" and "The Believer"?

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eMusic Features

Icon: John Coltrane

By Kevin Whitehead

No jazz musician inspires flattering imitators and devoted listeners like saxophonist John Coltrane. One reason is because there's a Coltrane for every taste: the yearning balladeer; the hard bop jackrabbit, scaling intricate improvised lines over the chords to standard tunes; the ambitious conceptualist, constructing ever-more elaborate steeplechases to challenge himself; the exponent of spiritual, roiling high-energy free jazz. Coming up in the 1950s, the tenor saxophonist apprenticed with Miles Davis and Thelonious Monk, leaders… more »

They Say All Media Guide

As is often the case with an artist as prolific as John Coltrane, not every release can be considered as essential. Black Pearls seems a bit ambiguous when placed in a more historical context. It was only three days later that Coltrane participated not as a leader, but rather a member, of the Miles Davis Sextet that recorded “Stella By Starlight” and “On Green Dolphin Street.” There is an obvious disparity between these three mostly improvised and lengthy jams and the Davis session. This is in no way to insinuate that Coltrane’s performance is anything less than par. Black Pearls indeed captures Coltrane at the height of perfecting the intense volley that would garner the name “sheets of sound.” Featuring Donald Byrd (trumpet) and the Red Garland Trio — Garland (piano), Paul Chambers (bass), and Art Taylor (drums) — this is the same quintet that had mightily contributed to Lush Life and The Believers, as well as The Last Trane. This session would be their last together. The title track is a mid-tempo bop number that quite frankly fails to make a great melodic impact. It’s not until Coltrane’s indomitable solo that a direction is found and, for a short while, remains focused. Once the reins are passed to Byrd, Garland, Chambers, and to a lesser extent Taylor, the song meanders through some fairly vapid changes. Fortunately, the soloing from Byrd is more direct and is able to build and support Coltrane’s equally impressive display. The difference is immeasurable as no holds are barred from Garland or Taylor — who is arguably at his prime. All told, this performance is well worth the price of admission. At 18-plus minutes, “Sweet Sapphire Blues” (penned by Prestige Records owner Robert Weinstock) is the longest track on Black Pearls. It is in essence a 12-bar blues jam. Coltrane’s double- and triple-time solo is primal within this setting. The overemphatic backbeat allows for more group interaction, yielding a full and well-rounded union among the musicians that was sadly absent from the opening track. – Lindsay Planer

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