Dirty Moons

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Total Tracks: 22   Total Length: 78:08

eMusic Review 0

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Chuck Eddy

eMusic Contributor

10.03.08
Ambitious and triumphant return for indie stalwarts roams the stylistic map
2008 | Label: Scat / Revolver

Given that this long-running St. Louis-via-Cleveland band's last album came out in 1993, and that the recordings on this new one span the long epoch since, maybe it shouldn't come as such a surprise that much of it seems a throwback to days when guitars mattered more in indie rock. But if the billowing riffage, impassioned melodies, twisted rhythms and under-enunciated vocals remind you of some forgotten old Homestead or SST release, remember this: Prisonshake principals Robert Griffin and Douglas Enkler were already perfecting their own sound two decades ago. And in 2008, it sounds even more perfect.

Enkler's singing tends to be a muffled blur, which makes the set's ambitious structure — two discs split into multiple "Entry Points," containing occasional songs-within-songs — somewhat hard to follow. But there's an extremely readable lyric sheet if you want it, and beauty and energy more than compensate for translation difficulties. Opener "Fake Your Own Death" sounds almost like a hard rock version of Jorge Ben's hard-samba classic "Umbabarauma"; from there, highlights range from compact post-garage nuggets like "The Cut-Out Bin" (introduced with a voicemail about rat bites at a Biohazard concert) to extended and frequently galvanic Griffin guitar explorations… read more »

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“No one gets a twilight to their career any more,” Doug Enkler howls three songs into Prisonshake’s Dirty Moons. “No one gets the chance to make mediocre album number four/ When they bring back the cut-out bin/Save a spot for us, right behind the Pretty Things.” The mere fact that Enkler mentions record stores as he rants about the sad state of rock will date this tune in the eyes of many, but then again that might not have been the case when Prisonshake wrote and recorded it; Dirty Moons was cut over a stretch of 12 years, from 1995 to 2007, and Scat Records facetiously refers to it in their promo materials as “an underground rock Chinese Democracy.” Unlike Axl Rose’s infamous experiment in art therapy, Dirty Moons actually sounds like the work of a functioning rock band, and one that took their time as a consequence of limited cash flow, creative wanderlust, and other life commitments rather than unfathomable creative obsession, and for a work that took so long to take shape, Dirty Moons sounds remarkably organic and well-focused. If you count the multi-format set I’m Really Fucked Now, Dirty Moons is in fact the fourth long-player Prisonshake have delivered amidst a long and steady stream of singles and compilation tracks, and the band has avoided the mediocrity they feared; in the grand Cleveland tradition, Dirty Moons sounds arty without being the least bit pretentious, with a lean and scrappy guitar attack from Robert Griffin and tough, propulsive drumming from Patrick Hawley driving the songs whether they’re punk-leaning screeds like “Fuck Your Self-Esteem” or extended journeys through their collective muse such as “Year of the Donk” and “We’ve Only Tasted the Wine.” Even at their most introspective, Prisonshake never descend into navel-gazing tedium on Dirty Moons despite its hefty length; while it could have been squeezed onto one CD, this has been released as a two-disc set and has the feel and scale of a double album from the classic era, and this collection consistently shows smarts, attitude, and muscle though all four “sides.” While Prisonshake may have fallen off the indie rock radar since Failed to Menace appeared in 1994, Dirty Moons makes it clear they were still making great rock & roll during their years in the woods, and it’s one of the most pleasant surprises of 2008. – Mark Deming

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