Nothing against the album version, but Big Time Sensuality (Fluke Minimix) (Track 1) is THE essential version. It's perhaps the most identifiable and Björkiest remix to come out of her Debut days. Ahh, memories. Cheers for getting this on eMusic!
Listen carefully! Numer 04 and 05 seems to be identically in the 'prelistening', although they have different names!
Bjork's Big Time Sensuality The Fluke Mini or Mega Mix, is my all time favourite song bar none. I could listen to this song (and have) on continuous loop for hours and hours, ever since I first heard it in 98'.
Leila registered a blip on the electronic-music radar in the late '90s, after associations with musical heroes Björk and Aphex Twin saw her debut record on Aphex's Rephlex label, Like Weather, earn a warm reception for its lush, slo-mo textures. A second album, 2000's Courtesy of Choice, spread her name a little wider. Some critics said she was trip-hop; Ms Arab vehemently disagreed. But even without a cosy niche, her future looked rosy. All that was… more »
On the map of Syria, a slim finger of land extends to the northeast. This is Hassake, the country's breadbasket, a land of plenty where the countryside is fertile and dominated by farms. Deep in Hassake, out near the fingertip, lies Jazeera, a region of small towns and villages that stand closer to Iraq and Turkey than the country's capital, Damascus, 12 hours away by road. It's a world away from the huge crowds of… more »
One of the pop world's most intrepid and unique artists (of either gender), Björk has fearlessly skipped through genres as diverse as disco-pop and anarcho-punk, big band swing and avant-garde techno, in a career spanning almost thirty years. Her name is synonymous with integrity, otherness and a questing spirit that's rare in the post-millennial landscape. The latter quality has inspired her in 2011 to devise probably her most ground-breaking work to date, with Biophilia. More than… more »
Looking for the newest and best on eMusic? Look no further than Freshly Ripped Radio. Every week, our editorial team combs through the crates and pulls out the best of the best, all the better to help you spend your money wisely. more »
Björk's got a lot going for her: eccentric songwriting, visual presence, a smartly chosen bunch of collaborators, high-flying conceptual grandeur. More than anything, though, she's got a voice like nothing else on the planet. It's bizarre and lovely, a sound that seems at home both on radio hits and in avant-garde art spaces. It communicates at least as much as her songs themselves, and in fact presenting lyrics is pretty far from the point: unless… more »
Björk's got a lot going for her: eccentric songwriting, visual presence, a smartly chosen bunch of collaborators, high-flying conceptual grandeur. More than anything, though, she's got a voice like nothing else on the planet. It's bizarre and lovely, a sound that seems at home both on radio hits and in avant-garde art spaces. It communicates at least as much as her songs themselves, and in fact presenting lyrics is pretty far from the point: unless… more »
There are some received ideas about Will Oldham, aka Palace/Palace Music/Palace Brothers/Palace Songs, aka Bonnie "Prince" Billy, that just won't seem to die: that he's a "folk" artist, that he's all about "Appalachian" music, that he's an innocent, Bible-thumping soul who somehow stumbled upon the indie-rock world - that he is, in short, some kind of hick or hayseed. He doesn't exactly discourage them with his image (the crack in his voice, his burning stare,… more »
