Black Saint

Rate It! Avg: 4.5 (71 ratings)
Black Saint album cover
Album Information
EDITOR'S PICK

Total Tracks: 3   Total Length: 41:18

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Energy and Spirituality

rfusillo

Harper has been known since the late 1960's for his hard-edged, hard charging tenor and his spiritually-tinged compositions. This is a fine, energetic set, recorded live. The pieces are long, but never boring and always accessible. This is a good album to start with Harper, especially since his first and best, "Capra/Black," is very hard to come by on CD.

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Black Saint on Black Saint

Music Lover

This is music that should appeal to those that love John Coltrane's Love Supreme or Eric Dolphy's Live at the Five Sport. It is adventurous, emotional, thoughtful and inventive. But it is not too far out, either, grounded in model and tonal concepts. The first two tracks are masterpieces and must have performances.

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Never thought I'd live to see this....

WrongDemographic

So good they had to name a record label after it, Harper's first album under his own name is a powerhouse by a fully-formed talent with a unique sound as big as Harper's native Texas. The songs are lengthy, complex,and challenging, but you'll be humming them, I guarantee. The rest of the band is great, with Joe Bonner reminding us why he was an unsung hero in the seventies, but it's Harper's show all the way. A masterpiece for the cost of all of three downloads.

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They Say All Music Guide

Tenor saxophonist Billy Harper helped launch the Italy-based Black Saint jazz label with this 1975 release. And not only does this represent the inaugural outing for the label, it also signifies one of the finest modern jazz releases of the ’70s. Influenced by tenor sax giant John Coltrane, Harper proceeded to mold a distinctly personalized sound awash with slight inferences of R&B and hard bop. Additionally, the saxophonist’s melodic gifts come to the forefront throughout this often-invigorating studio date. On the opening piece, titled “Dance Eternal Spirits, Dance,” the tenor saxophonist fuses an engagingly melodic theme with lightning-fast flurries atop a peppery jazz waltz groove. Harper radiantly executes soul-searching lines atop a loosely based jazz waltz/swing vamp during “Croquet Ballet,” as he alternates lower-register voicings with high-pitched, plaintive cries. Here the artist shrewdly reworks the primary melody as he literally interrogates his tenor saxophone. Highlights abound, while trumpeter Virgil Jones and pianist Joe Bonner provide Harper with buoyant frameworks via hearty soloing and intuitive support. Vigorously recommended. – Glenn Astarita

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