All of Us In Our Night

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All of Us In Our Night album cover
Album Information

Total Tracks: 12   Total Length: 40:30

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Amelia Raitt

eMusic Contributor

Amelia Raitt is a former writer for the television program Mr. Belvedere and has been writing about pop music of all colors and stripes for eMusic since 2005. S...more »

01.20.09
Modern Skirts, All of Us In Our Night
2009 | Label: Modern Skirts Records / Redeye

The Modern Skirts come from a grand tradition of Southern pop bands, the kind of ensembles that marry huge, yearning hooks to loose, jangling guitars. It's cliché to cite R.E.M. (and even, at this point, Apples in Stereo), but those principles still apply: this Athens group excels in sly, unobtrusive melodies, the kind of laid-back hookery that works its way into the skull slowly instead of being obvious and all-at-once. "Give me a knife and a merry-go-round" goes a line in "Soft Pedals," and that's the aesthetic: gentle, pretty songs that carry tiny daggers. It's soft and subtle and sly — the best possible pop combination.

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Catchy

CraigF

When I sat down with this album, I expected to hear more Mike Mills and David Lowery... not sure why, but I just did. Instead, I was surprised by the stripped-down, cozy sound and thought-provoking lyrics. Modern Skirts brings a sound reminiscent of 90's rock (think Third Eye Blind's quiet half of their red album) without feeling the need to turn the volume up to 11 to stay cool.

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Has Absolutely Grown On Me

Palomino-Royalle

Crammed with subtle pleasures. With every new listen it worms itself deeper into my head. Phillip Brantley's bass playing reminds me sometimes of Paul McCartney or Brian Wilson -- very melodic and interesting. They do some fine harmonizing too. What's not to love?

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i doubt it

PhunkyPhiloponus

I loved the last album. This one sounds pretty bad. I doubt that this one will ever grow on me, but if it does I will come back and update this review...

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It will grow on you

cartoonmatrix

Having heard many of these songs live, a couple for two years now, it is great to have the recording. It will grow on you as their previous album did. You'll hear each song different each time you listen and they will slowly become more complex. This is real indie pop and I for one am happy to be a fan of it.

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Maybe it will grow on me.

boombox13

From my first impression, Catalogue of Generous Men was a much catchier album than this one. Nothing immediately pops out at me as a new favorite song, but I'm sure the album will grow on me with time. @ SoItIsAsIf: Ew, not Subpop. Of all "independent" labels, why would you pick one of the few that don't sell on emusic?

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Go Get'em, Boys

SoItIsAsIf

It's time for Modern Skirts to join the ranks of the high profile indie bands. I'd like to see them on Merge or Subpop.

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They Say All Music Guide

Talk about coy: the Modern Skirts’ second album indicates no label, nor does it identify the bandmembers — though the sketchy liner information does identify guest star producers Mike Mills (of R.E.M.) and David Lowery (of Camper Van Beethoven and Cracker). In place of liner notes, the insert features a series of willfully strange watercolor paintings. If the band’s music were similarly quirky and ambiguous, the album might be more annoying than engaging. But in fact, the Modern Skirts’ brand of rock is so poppy and sweetly melodic that it borders, at times, on easy listening. Whether they mean it ironically or not, the inclusion of mellotrons, vibraphones, “dah-dah-dah” and “oooh-aaah” choruses, and at least one guitar solo that seems to be quoting from the Willy Wonka song “Pure Imagination” ends up feeling kind of kitschy, and while it’s all quite enjoyable, you come away wondering how much of your enjoyment was actually arch amusement. Maybe it doesn’t matter. “Radio Breaks” sounds like Ben Folds with better hooks; “Eveready” sounds like Fastball with a softer center; “Astronauts” sounds like what the Beatles might have sounded like if they’d spent a week listening to Jim Reeves albums. All of it adds up to plenty of slightly self-conscious, but still genuine, pop fun. – Rick Anderson

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