You Kingdom You

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You Kingdom You album cover
Album Information
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Total Tracks: 10   Total Length: 38:49

eMusic Review 0

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Chuck Eddy

eMusic Contributor

01.13.09
New York glammers tap into some idiosyncratic corners of '70s rock
2009 | Label: The Hours Entertainment

It's hard to tell which generation of androgynous rock New York trio-plus-friends Fires of Rome are aiming for; the best hypothesis might be '00s alt-glam of the Placebo ilk. (Franz Ferdinand? Rapture? White Stripes, even? You decide.) But if that's the case, what they end up with flexes way more classic muscle. As becomes clearer toward album's end, these guys have maybe inadvertently managed to recreate a high-register sector of '70s hard rock that feels simultaneously meat-and-potatoes and idiosyncratic: Sparks or Slade in ragtime-revival mode in "But You're Such a Cherry"; tough urban greaser boogie in the subway-and-alley admonition "I'll Take you Down"; some gender-confused Marc Bolan/Grace Slick hybrid swishing about running the white-collar rat race as blooze guitars flesh the sound out in the final cut, "Monkey In A Cage."

Oddly, You Kingdom You starts out more tentative and vocally distanced and less coherent. The fey string counterpoint in the laid-back opener "Dawn Lament" seems cribbed straight from the Verve's "Bittersweet Symphony," and the huge "My Sharona" drums setting off "Set In Stone" can't salvage its geeky funk attempt. But by track four, a fast-rolling circus-glamster called "Songs As Yet Unsung," energy kicks in. "Bronx Bombardier" is deep-rhythmed… read more »

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get 'Handgrenade'

PeterThrust

This whole album is a scorcher. It's all worth having, even if it lacks staying power. Download "Handgrenade"--a dead-on love song full of hyperbole and jagged riffs. God, I was moved by that song! The manic form of "Handgrenade" matches the first thrill of love way better than any wistful crooner ever could.

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Disposable but enjoyable dancey glam post punk

slackagogo

I was pleasantly surprised to end up liking this whole damn thing. Musically they pull from a hodge-podge of genres including mid 70's glam, dance punk, early 80's new wave, and post punk - making for a very eclectic collection of songs. At one point it sounds like a glammy Shudder to Think and then suddenly it sounds like a more pop Les Savy Fav. I don't really know how to describe them, and I'm not sure I'll dig this as much in six months, but for now it's been a fun listen.

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