White Sugar

Rate It! Avg: 4.5 (240 ratings)
ALBUM INFORMATION

Total Tracks: 10   Total Length: 51:45

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Amazing - Can stand with the best of them!

Newomyn

This album is by far one of the best Blues I've got and it stays in regular rotation in my ipod. Taylor is an amazing artist both guitarist and singer. There isn't a song on this album I don't like. From the rocking title track \"White Sugar\" to the slow groove of \"Blackest Day\" she will make you wonder where she's been all your life and when will she be coming to a town near you!

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Sasseezzee

drongo

What a beautiful husky, strong voice with lyrics to match the righteous blues feelin' coming from her guitar...lovely and worth having!

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Oh........... YES!

The_Mole

Great voice and fantastic fingers!

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WOW!!! A must download 5 stars

ShawnPDX

Waste no more time this is a must download. Amazing guitar work and vocals.

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Simply awesome!

Home_Sommelier

Having thousands of blues tunes, all the way from Howlin' Wolf to Stevie Ray Vaughan, It never ceases to amaze me when randomly playing my 70GB of heaven on my iPod, White Sugar comes on and for the first three seconds I flash to an image of SRV, only to correct myself seconds later. That gets my attention to which I simply revel in that 5 minutes of wild guitar genius. Every time I log in I look to see if Taylor has a new album to heartily snap up, but disappointingly to date only the one jewel. New album is released 10/2010 called: "Diamonds In The Dirt". I hope to see it soon here. Well worth downloading the complete album, if not sure trust me on the White Sugar alone (also my cell phone ringtone). You'll soon follow with the rest of the album.

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A fantastic debut

silentEcho

This Bluesy Brit is a skilled contemporary blues raspy vocalist and guitarist. She will rock your socks off with songs like Watch 'Em Burn.

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Successor to SRV?

ted_1

Joanne has an amazing feel and is very reminiscent of Stevie Ray Vaughn, but she's a better singer. Another reviewer had it right: SRV meets Bonnie Rait.

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my favorite female European blues guitarist

gbeast_1

Previously my favorite female European blues guitarist was Ana Popovic, although she has diverged from pure blues. But Joanne Shaw Taylor has all the licks, and more, that Popovic has, but she is quite a bit closer to the Delta. On this first album, she seems to be standing up to so many masters and saying, "Look, I can do this too." She really has my attention.

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Gave me chills....

BigonBluz

I played guitar professionally for over 25 years, so when I hear a "new" player that gives me chills, I've got to have more, and that's just what happened when I sampled "White Sugar". I read the reviews and thought, yeah, right. But this lady can play the blues, and I mean PLAY THE BLUES. While listening to her debut album reminded me of how I felt listening to the first recordings by Johnny Lang and Kenny Wayne Sheppard, her sound is much better compared to Stevie Ray Vaughn's early recordings. She is not over-produced and searching for a pop single... she is baring her soul in both her lyrics and her playing on every single song. She is the antithesis of Madonna. This girl is the real deal. Trust me, you don't squeeze notes out of a Tele or a Strat like that unless you are feeling it deep down inside. I agree with the other reviews: she if an up and coming blues star to be reckoned with. I can't wait for her next album. If you love the blues, you need this album.

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They Say All Media Guide

She’s already being called “the new face of the blues” by the press in her native Britain, but her debut album is the first opportunity most Americans will have to hear Joanne Shaw Taylor’s sharp, fiery take on blues-based rock. Opening with the dark and sultry “Going Home,” Taylor makes her intentions clear from the very beginning: her sound is raw, funky, and soulful, and she’s as likely to reference Jimi Hendrix’s R&B-inflected blues-rock as Stevie Ray Vaughan’s rock-inflected blues. She’s also unwilling to be hemmed in: notice the gorgeous guitar intro on “Just Another Word,” and the way that the song goes well outside the lines of traditional blues structure without erasing them. Also notice the especially Hendrix-y “Kiss the Ground Goodbye,” the lovely instrumental title track, and the stark, spare “Heavy Heart.” The latter is the finest track on the program; it features a brilliant chord progression and a sly bluebeat outro that reveals a sense of humor that is otherwise pretty much hidden. The album ends on a very powerful note, with the slow-burning “Blackest Day.” The challenge on this song is the solo, and she meets that challenge brilliantly, twice, and in two very different ways: once with gentle regret and then again with forsaken rage. A spectacular debut from a major talent. – Rick Anderson

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