To the Races

Rate It! Avg: 4.5 (30 ratings)
ALBUM INFORMATION

Total Tracks: 10   Total Length: 38:04

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WOW - Eric Never Ceases To Amaze.

DarrenD

Eric Bachmann is one of the most underappreciated musical voices of his generation. Whether he's perfecting indie rock with Archers of Loaf, exploring his influences with Crooked Fingers or simply utilizing his voice and a nylon string classical guitar, he is a genius. When you consider the fact that he was living out of his car while he was making this album, one begins to understand the introspective nature of these songs. For Eric, melody has always been king, as much as it may have occasionally been perverted with amazing guitar squeals and noise-rock fury. This disc, on the other hand, is just straight beautiful... almost medieval-sounding. "Man O'War", "Genevieve", "Genie, Genie" are all incredible.

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One of my true favorites

DPLeMUSIC

One listen through is kind of like "Hmm, Eric Bachmann, cool". Second listen through is like "Wow, Man-o-war and Carborro Woman are great songs." Third listen through is like "Wait, I didn't hear THAT part before". Fourth listen through is all tears of joy and melancholy from getting Bachmann's soul pushed into your ears. Love this record.

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They Say All Media Guide

Recorded in the Tower Circle Hotel in the Hatteras Island city of Buxton, NC, Crooked Fingers and Archers of Loaf frontman Eric Bachmann’s first official solo album — not counting his mostly instrumental soundtrack to the independent baseball thriller Ball of Wax — aims for the rural mystique of Bruce Springsteen’s Nebraska. Fans of Bachmann’s gruff Neil Diamond-meets-Steve Earle vocals and lonesome and literate subject matter will find everything they love about the Carolina native on display, while those who prefer his vocal affectations surrounded by the din of a full band should stick with his group efforts. To the Races gets off to a grand start with the tropical imagery-laden “Man o War,” a sparse yet majestic opener that utilizes Bachmann’s penchant for sharp and rhythmic fingerpicking and uses the lovely multi-tracked vocals of Miranda Brown as a string section. “Carrboro Woman” celebrates the dull ache of a blue-collar love affair, “Genevieve” sounds like an outtake from Mickey Newbury’s ‘Frisco Mabel Joy, and “So Long Savannah” wraps things up in a reluctant bear hug for Georgia’s most colorful coastal town. – James Christopher Monger

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