Chanting Dread Inna Fine Style

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Chanting Dread Inna Fine Style album cover
Album Information

Total Tracks: 14   Total Length: 46:09

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There's Better

Berliner

There's *much* better from Youth, right here on eMusic. This is such a catch-all that it's hard to listen to. The singing that (fortunately) is only on the first track is awful enough, but the out-of-tune harmonical noodling later is really awful. It does pick up, as noted, but you should look for the Blood and Fire collection and get that first.

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righteous reggae

jimmyjam

This is beautiful, righteous roots music. The album picks up momentum as it goes along, including some nice dubs at the end.

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They Say All Music Guide

Picking up where Some Great Big Youth left off, or more accurately left out, this compilation gathers up earlier cuts, and thus is a decided improvement over its predecessor. Once again, the set is culled from releases from Big Youth’s own Negusa Negast label, all backed by guitarist Earl “Chinna” Smith’s marvelous Soul Syndicate band. Big Youth toasts over many classic rhythms, although as was usual by now, most have been so stripped down that they can be difficult to recognize. The exuberantly bouncy “Skyjuice,” for example, employs John Holt’s “Sister Big Stuff,” and was also used by Dennis Alcapone for his hit “Teach the Children.” Another much recycled rhythm, the Paragons’ “Only a Smile,” here is re-created as “Dread Inna Babylon.” U Roy versioned the song as well on “Flashing My Whip,” but in this DJ clash, Big Youth’s is far superior. “Mama Look” employs Dennis Brown’s masterpiece, “Money in My Pocket,” one of several versions Big Youth cut of that hit, and boasts a fabulously loose and relaxed toast, the DJ at his best. Brown’s vocals have been stripped from that, but they do feature on “Streets in Africa,” where he’s backed by the Heptones. (The song itself is a cover of War’s “The World Is a Ghetto.”) Cool ruler Gregory Isaacs can also be found within this set. By this point in his career, Big Youth was at his toasting best when rapping about cultural themes, and Chanting is stuffed with these cuts. The Soul Syndicate provide a steaming, rootsy backing that meshes perfectly with the DJ’s toasts. Chanting dread in a fine style indeed. – Jo-Ann Greene

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