Fist of God

Rate It! Avg: 3.5 (157 ratings)
ALBUM INFORMATION

Total Tracks: 11   Total Length: 38:30

eMusic Review

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Barry Walters

eMusic Contributor

03.17.09
The rare electronic dance album that actually feels like a party
2009 | Label: Dim Mak Records / The Orchard

Like Ike & Tina Turner, this Toronto dance duo never, ever do anything nice and easy. And like Death From Above 1979 (multi-instrumentalist Jesse F. Keeler's previous two-man band, which his current cohort, Al-P, produced), they prefer to do it nasty and fucked up. That's the unrelenting sound of MSTRKRFT's continuously-mixed second album, and although it represents a major advancement over 2006's The Looks, you can't exactly call it a refinement — unless being hit harder by a heavier sledgehammer fits your definition of refined.

The guest list reflects R&B and hip-hop's growing acceptance of French electro house. Singer Lil Mo 'starts the disc on a confrontational note with "It Ain't Love," a pounding, punishing track that paradoxically liberates her: the raucous rhythms suggest that this former Missy Elliott protégé is delivering a metaphorical beat-down to an exasperating soon-to-be-ex. N.O.R.E.'s appearance on the first single "Bounce" is a rowdy update on C+C Music Factory's early '90's hip-house, while "Heartbreaker" lends a similar recklessness to its cameoing crooner John Legend. Only Ghostface Killah's sampled, rhyme-free rants on "Word Up" comes across forced.

The high points belong to MSTRKRFT alone: the blazing disco-metal instrumental "1000 Cigarettes" recycles Daft Punk's robot riffs, but… read more »

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Juuuust Right

DownhillFast

Looking for hard-pounding, jump-up-and-down, bang-your-head electronic riffs? Even Goldilocks would shake it to this album.

user avatar

Solid effort, a must for fans

khaksari

We've been in love with MSTRKRFT for a while now, and my partner had said several times: "if you find anything new by them, get it immediately." So I didn't hesitate to download this. While not all of these are single worthy its a great album especially Heartbreaker, Fist of God, and If Ain't Love, with their great beats and 303 lines.

user avatar

A decent sophomore album

dchic73

I'm a big fan of The Looks and the crunchy basslines and synths. Fist of God has a dancier club-like hook with many guest singers vs. the vocoder robo-pop sound of their debut album. Still a fun album to groove out to!

user avatar

I just miss Death From Above 1979

SwellJoe

You're a Woman, I'm a Machine was unarguably the best metal album of the decade...this is mediocre, at best.

user avatar

I take it back...

eJDL

...it's much better than my first impression, Yes, I still think much of the lyrics are insipid and yes, I still think it would have been a little more timely a year or two back, but that said - there's some fun Club life tracks on this record.

user avatar

i can see how live would be great....

gravitywelled

but they need to back waaay off the limiting on this! it's really hard to listen to. it's all just LOUD. makes it boring.

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Judge not

ReG

For all those hating if you've never seen them live you wouldn't understand. Stop being typical bedroom critics.

user avatar

Pretty weak

floor

totally formulaic. Does everyone want to sound like justice? Same basslines....not to mention cheesy vocal lines. I won't be downloading this.

user avatar

Wacked dance beats

ryechild

Nothing original here

user avatar

Limp Fist of Satan!

djdigitaljosh

This Album gets to thumbs down to Hell.

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They Say All Media Guide

The difference in the basic sound of MSTRKRFT’s first album, Looks, and the follow-up, Fist of God, isn’t huge. Both are built around buzzing old-school synths, thunderous drums, and jumpy, floor-filling disco and robo-funk. The main change is that the vocodered vocals than dominated Looks have been replaced by a parade of collaborators who include Ghostface Killah, E-40, Freeway, John Legend, N.O.R.E., and Jahmal of Toronto band the Carps. “It Ain’t Love,” which matches a storming rhythm track with a fiery vocal from Lil’ Mo, is the record’s highlight. The rest is filled with good-time dance music that won’t inspire repeated listens but might sound good over speakers in a nightclub. – Tim Sendra

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