Old/New Baby

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Old/New Baby album cover
Album Information
EXCLUSIVE // EDITOR'S PICK

Total Tracks: 12   Total Length: 27:56

eMusic Review 0

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Yancey Strickler

eMusic Contributor

03.09.09
A modern-day troubadour sings sly, irresistible odes to his adopted Big Easy home
Label: eMusic Selects

Luke Winslow-King was born in Michigan and moved to New Orleans a decade ago, a familiar migration for many a Midwestern boy, its loose women, all-night jazz and free-flowing drink a kept promise to hungry-eyed dreamers everywhere. Post-industrialization, it's the reason why anyone moves to a city: boredom. A limited gene pool for procreation. A life defined by family, clergy, teachers, coworkers, boyfriends, whoever. Not defined by you being what matters.

The adopted home of New Orleans defines Old/New Baby, Luke Winslow-King's incredible new record for eMusic Selects. Its Dixieland and ragtime jazz — stronger beacons than any lighthouse — don't just influence these songs, they direct them. Winslow-King is familiar with M. Ward and the other indie singer-songwriters of the day ("All the Same" and, structurally, "The Sun Slamming the Highway" in particular exhibit familiar traits), but both the root and the dressing of all twelve songs come from the parishes. There's banjo, sousaphone, washboard, trumpet, trombone, slide, clarinet, accordion, viola, cello, you get the idea, all of it played, arranged and recorded expertly. (Engineer Earl Scioneaux — through whom we discovered this album — deserves tremendous credit.)

As you might expect, the music itself is intensely likeable. From the… read more »

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nothing new

Manila

This is just a rehash of old styles. Well played. Would be fun live. But nothing new. As for old versus new, I'm 46, love lots of old music, but couldn't live without new styles and ideas. As for 'having balls'. Now that's a tired old phrase.

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Love love love love love love love!

Katlantis

This is my top album, EVER. I have never listened to something that flows so well together and makes me regret I was not born in New Orleans. You MUST download the entire album to really appreciate it. It is so sincere, honest, just magic! A modern classic, New Orleans-style.

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sweet!

MoreThanMeetsTheEar

This album is a nice little surprise - love the songs and the arrangements!

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I like this!

Cacteur

Yeah, I like this guy, and I reckon he has balls, and I'm a real old rocker in my fifties. Makes me laugh this idea that 'old' music was better. Bay City Rollers anyone? Or Bread? Today is no different to then. Good sounds have always been hard to find in all the mush the record companies push, and Luke Windslow-King was hard to find. Cheers eMusic!

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Hey mumeino....

FZ1

Do we remember when music had balls? Mmmmm...do you mean The Who? Ozzy? The Jackson 5? Who are you talking about? BTW, music doesn't need "BALLS" to be good. Sheez....

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Yes

TheLisps

Luke is the real thing. He's a musical genius and will melt your heart live. This album is pure brilliance.

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Thanks eMusic

2nzfan

... for being a label for music like this. This is a fun blend of folk and Dixieland that would never get published by a major label. "Old/New Baby" very much lives in the spirit of NOLA's history of blending musical cultures together and creating something new. Recommended.

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Hey FZ1

mumeino

i mean music with heart and feeling which this record is lacking considerably. if you think the who and the jackson 5 had feeling then by all means use them as an example. music does need balls to be good. that doesn't mean that it has to be loud and angry. a musician has to believe it, live it and sell it onstage and from what i've heard and seen this kid doesn't have any of that down. good job trying to pigeon hole me by sneaking you're own prejudices in and assuming that i listen to old metal bands because i don't like this particularly whiny hack.

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I agree

hotspur

''Very Very cool stuff''

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From the Heart!

nzukas

This is exceptional music from an equally exceptional individual. This album has been long awaited for us folky folks here in MI and Luke did not disappoint. The sounds he captures on this album clearly are full of heart felt admiration for the music and city of New Orleans, but he certainly has not forgotten his roots in MI and the wonderful folk scene he has helped continue. Hats off to ya Luke. Please be sure to head down to NOLA and try to catch him play live, or better yet come to Michigan's own harvest gathering put on by Earthworks Music. And definitely check out his musical compadres Breathe Owl Breathe, Daisy May Erlewine and Seth Bernard, all on emusic.

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eMusic Features

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eMusic Selects: Luke Winslow-King

By J. Edward Keyes, Editor-in-Chief

When eMusic called Luke Winslow-King to talk with him about his music, he was sitting out in the street in his adopted home city of New Orleans, running through some jazz standards with fellow musicians. This is an everyday occurrence for King: roaming out into the warm sun, guitar on shoulder, to while away the afternoon. It's part of the reason he loves the city and part of the reason he could never seriously consider… more »

They Say All Music Guide

Luke Winslow-King is both a music educator and a New Orleans street musician, which may help explain the sound of his second album, Old/New Baby. Winslow-King’s music is steeped in New Orleans tradition, and while these are original songs for which he has composed the music (and, for the most part, co-written the lyrics with his girlfriend, Ji Un Choi), they usually sound like they could have been written 100 years ago. With their Dixieland arrangements supporting Winslow-King’s acoustic guitar or banjo, they also sound like they could have been played on the streets of New Orleans (or maybe in a square, for the bigger ensembles) around the same time. That playing is infectiously attractive and characteristically New Orleans-sounding, notably on “Birthday Stomp,” an instrumental that would be recognizable to Buddy Bolden or Louis Armstrong. “Dragon Fly, Dragon Flower,” meanwhile, threatens to segue into “St. James Infirmary” at any second. The weak spot on the disc is actually Winslow-King’s singing. He has a sandpaper tenor sometimes reminiscent of Steve Forbert (but more delicate) that floats over the instruments, carrying lyrics that often have a childlike quality to them. But he is often overwhelmed by the music, particularly the horns. Still, this is engaging music in a traditional mode that will appeal to fans of Leon Redbone and Keb’ Mo’. – William Ruhlmann

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