Missy Mazzoli, the young composer who writes the music for the all-female modern classical ensemble Victoire, seems to have a private line on mute anxiety, on quietly nagging uncertainty, and on the four short pieces that comprise the Door Into the Dark EP, she taps it with effortlessness bordering on the uncanny. Her urgent, enigmatic songs feel like 3AM dispatches garbled by a bad connection, with only the occasional loaded phrase puncturing the static. The band's combination of chittering electronics, found sound and repetitive string and woodwind lines eloquently conjures how it feels to helplessly grope for words that don't exist to describe disquiet we can't place, how it feels to be left alone with only the colors of our own thoughts for company. Victoire live in the up-close dots of a Seurat painting, the point where a seemingly clear picture dissolves into incomprehensibility. You can squint and focus, but the harder you train your gaze, the further everything breaks apart.

The five-piece group — rounded out by Eileen Mack on clarinet, Lorna Krier on keyboards/electronics, Eleonore Oppenheim on bass and Olivia De Prato on violin — exists in a nebulous area between indie, chamber pop and modern classical. Many of… read more »