Wake Up and Live!

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ALBUM INFORMATION

Total Tracks: 16   Total Length: 58:14

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John Morthland

eMusic Contributor

John Morthland has been writing about music since the days of electronically rechanneled stereo and duophonic sound. His name has darkened the mastheads of Roll...more »

03.12.09
A lusty late-career romp from a two-fisted Texan pianist
Label: Alligator Records

If all you know of Dixon is "Hey Bartender," as dumbed down by the Blues Brothers, you owe it to yourself to check out more from this LA-via-Texas pianist and singer (and songwriter — he wrote or co-wrote all 16 tracks here). Dixon was an incredibly gifted, two-fisted pianist whose sound incorporated jazz, boogie, gospel, barrelhouse and stride while also presaging rock 'n 'roll, and there's hardly a whiff of the autumnal about this 1996 romp, one of his last. When the man declares "I Wanna Rock Now," it's no idle boast, while the title song is a blasting, wide-open echo of Louis Jordan's "Let the Good Times Roll." In his '50s heyday, Dixon combined the roaring house-party blues of jump stars like Roy Brown with some of the urbane snazz of late-night cocktail a la Charles Brown. There's less subtlety this late in his career, but Dixon does some mighty pounding in "You Know That'll Get It," strikes an easy groove in "450 Pound Woman," and eases out with the jazzy "Gettin 'Ready." His vocals are deeper and rougher than they once were, making him even more similar to Ray Charles, who readily acknowledged Dixon… read more »

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They Say All Media Guide

There was a time when swing-oriented jazz, R&B and blues overlapped to form an accessible yet intelligent style of music. In the late ’40s Louis Jordan, Charles Brown and Amos Milburn were popular figures and Floyd Dixon (although a bit in their shadow) was not far behind. When rock & roll suddenly took over pop music in the mid-’50s, the middle-aged black performers were tossed off the charts in favor of their younger white imitators and work began to become scarce. Fortunately Floyd Dixon survived the lean years and, as with Charles Brown, he made a “comeback.” This CD is a definitive Floyd Dixon release, mixing together older hits (including his signature tune “Hey, Bartender”) with newer originals; all 16 selections were written or co-composed by Dixon. Joined by a jumping band that features a liberal amount of solo space for guitarist Port Barlow, tenor saxophonist Eddie Synigal and the old-time styled trombone of Danny Weinstein (plus a couple of spots for Charles Owens’ baritone), Dixon sounds in excellent shape. His voice had not aged much, his enthusiasm is very much intact and his piano playing (whether on slow blues, medium-tempo novelties or the closing instrumental blues “Gettin’ Ready”) is quite jazz-oriented. Chip Deffaa’s liner notes are an added plus. Highly recommended. – Scott Yanow

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