King Tubby Meets Rockers Uptown

Rate It! Avg: 4.5 (79 ratings)
ALBUM INFORMATION

Total Tracks: 12   Total Length: 35:47

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First Dub!

thatway57

This is the first "dub" album that I have downloaded off emusic and I love it. I have been playing this continuously and it gets better the more you play it. Will be checking out more reggae and dub.

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King Tubby meets uptown rockers

hnybear1967

I first heard this on GTA San Andreas and instantly was hooked. This song is now in all my rotations no matter what the genre is, and the game is atleast nine years old(?) Great song!!!

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The Best Ever!

chordophone

The best reggae record ever.

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The best ever?

Verdunguy

The title track, number 7, is the best dub cut ever. It is absolute genius. Is the best dub album ever? Maybe. But "King Tubby meets the Rockers Uptown" is reggae's finest track. Feel free to disagree, but only after you've enjoyed it fully.

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This Album is For Everyone

15HEAT

I know very little about reggae and dub, but i play this album often and it's great. I downloaded this based on reading about it thru Emusic, and have to give them credit for hipping me to something new that i enjoy regularly. Thanks Emusic.

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They Say All Media Guide

If you had to pick one album that best represents the pinnacle of the art of dub, you’d cull the candidates down pretty quickly to ten or 12, and it would get very difficult after that. Few would fault you for ending up with this one, though, which stands as perhaps the finest collaboration between two of instrumental reggae’s leading lights: producer and melodica player Augustus Pablo and legendary dub pioneer King Tubby. Among other gems, this album offers its title track — a dub version of Jacob Miller’s “Baby I Love You So” — which is widely regarded as the finest example of dub ever recorded. But the rest of the album is hardly less impressive. “Each One Dub,” another cut on a Jacob Miller rhythm, possesses the same dark and mystical ambience, if not quite the same emotional energy, as “King Tubby Meets Rockers Uptown,” and the version of the epochal “Satta Massaganna” that closes the album is another solid winner. Pablo’s trademark “Far East” sound (characterized by minor keys and prominent melodica lines) is predominant throughout, and is treated with care and grace by King Tubby, who has rarely sounded more inspired in his studio manipulations than he does here. Absolutely essential. – Rick Anderson

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