Consenting Adults

Rate It! Avg: 4.0 (73 ratings)
Consenting Adults album cover
Album Information
EDITOR'S PICK

Total Tracks: 9   Total Length: 64:44

eMusic Review 0

Avatar Image
Charles Farrell

eMusic Contributor

Since returning to active playing in 2005 after a career as a boxing manager, pianist Charles Farrell has released eleven CDs, played with Ornette Coleman, and ...more »

04.29.09
A canny take on mainstream '60s jazz by some of the brightest contemporary players around
Label: CRISS CROSS

Consenting Adults is a canny take on mainstream '60s jazz by some of the brightest contemporary players around. The frontline consists of tenor saxophonist Mark Turner, pianist Brad Mehldau and guitarist Peter Bernstein. Bassist Larry Grenadier and drummer Leon Parker hold down the rhythm section duties. This is an entirely enjoyable album, if a vaguely subversive one. Actually, its subversion is part of its charm; the players fold themselves deeply into an older tradition (and it's astounding how completely they've inculcated the language of the 1960s Blue Note roster) while subtly including elements of their own vocabulary.

The feat is in how seamlessly they manage this blend. Nowhere is this more evident than on "Belief." You can hear Mehldau combining Herbie Hancock and McCoy Tyner as Turner mixes Joe Henderson and Wayne Shorter. Bernstein then solos while channeling the ghost of Grant Green. This isn't a matter of players with nothing of their own to say stealing from their betters: it's an homage of deep understanding, and it serves as a jumping off point for less direct representation later in the album. In general, Bernstein's playing has a bluesier, more… read more »

Write a Review 1 Member Review

Please register before you review a release. Register

user avatar

Nice

davestone13

A really pleasant listen. Straight ahead and smooth.

Recommended Albums

eMusic Features

0

Criss Cross

By Britt Robson, eMusic Contributor

The biggest hurdle when compiling a Dozen devoted to the Criss Cross label is agonizing over what to leave out. Gerry Teekens 'Dutch-based imprint has been appropriately compared to Blue Note's heyday in the '60s and '70s. It's a label of consistently high quality, giving exposure to steadily working musicians who'd rather play than promote themselves and perspicacious up-and-comers not yet on the radar of anyone but diligent jazz hounds. My favorite records from such stalwarts… more »