House With No Home

Rate It! Avg: 4.5 (358 ratings)
ALBUM INFORMATION
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Total Tracks: 11   Total Length: 37:58

eMusic Review

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Amanda Petrusich

eMusic Contributor

04.30.09
Strums, whispers and whiskers: think Bon Iver
2009 | Label: Kill Rock Stars / Redeye

Scrappy, acoustic indie-folk has enjoyed a certain renaissance in the last half-decade, with strums-and-whispers replacing prickly, post-punk guitar as the underground's favorite new guise. Portland's Horse Feathers (fronted by the vocalist and songwriter Justin Ringle) has existed in various forms since 2004, but the band's low-lit, violin-addled folk songs (think Bon Iver, Bowerbirds) have been mostly overlooked — which is tragic, considering the extent to which Horse Feathers' rich, dulcet tracks deserve a spot in the beard-and-plaid-shirt scrum.

House with No Home is Horse Feathers' second full-length, and it's first on a major indie. Many will likely recognize the band's name as the title of the fourth Marx Brothers film (an oddly prescient football comedy that pits creationists vs. Darwinists), but Horse Feathers aren't a particularly goofy outfit: instead, Ringle and his bandmates play autumnal folk that's earnest and gentle (but, miraculously, never boring or contrived). "Working Poor" is the album's standout track, a shimmering, expertly harmonized ode to youthful fickleness. On nearly every song, Ringle's vocals run and ooze, eventually fading into a scratchy hum, which is augmented by his bandmates' banjo, guitar, cello, celeste, saw and light percussion; House with No Home has the soft, woozy feel… read more »

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Not my usual listening style, but...

CaSundara

...I really like this album. Any time you need something gentle and heartfelt, this album is a good choice. Soft guitars, strings, the occasional piano, and a banjo accompany the gentle tones of the singers through a collection of alternately sombre and toe-tapping tracks - a great discovery, and it's growing on me every day.

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Thanks

aquaductagious

The kind of songs on this album are the kinds of songs I listen to almost enough to get sick of, then force myself to stop for the greater good. This album is always there for me. Rain or shine, it will.

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Dandelion Wine

warnerme

smooth, sweet, subtle, yet complex with bitter woody undertones. It reminds me of Sufjan's Michigan and Seven Swans albums, but a bit more folky. A bit more dandelion wine.

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A blanket for the Cold.

justincarlson11

I listen to this record and think of the winter--of sitting under a blanket listening to the warmth of these rugged and raw arrangements. This is the kind of music that doesn't lie, that is faithful to its heritage and delivery. A beautiful collection of songs.

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The real thing

aajej

The songs are easy and simple but sophisticated, without the affectations that too many Americana/folkie combos adopt. This really is a must have, and you might as well download the whole album.

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Rainy day

idiotheart

Lovely, soft album full of warmth and just enough space. I listen to this album whenever it's getting cold outside and the leaves are turning.

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Folk Favorite

EMUSIC-00E1D637

Horse Feathers really pulls you into its zone. Its a folk favorite.

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Cabin in the woods

erine5

My only complaint about this album, is that I cannot decipher many of the lyrics- but this may also add to the intrigue and endearing quality. The instrumentations are moving and comforting. I love to listen to this album on winter or rainy days

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America's Most Beautiful Music

mdchildr

How this album escaped every year-end list I came across seems absolutely befuddling, bemusing, bewildering, and--with all due respect--just plain dumb (what? I said with all due respect). I was at their show in November '08 and May '09 and they produce America's most beautiful music. There's no doubt. Their music is just as hauntingly beautiful as Bon Iver, except it's got a cello and a violin... instruments that make almost any song better! :)

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They Say All Media Guide

The cover of House with No Home, the second full-length album from Horse Feathers, a dusty west coast folk duo comprised of Justin Ringle and Peter Broderick, depicts a wintry farm dusted with snow. It’s an image that’s easily conjured throughout each of the 11 songs that make up Home, a subtle, nuanced, and quietly noble collection of Americana-kissed alternative folk that echoes the work of Bonnie “Prince” Billy, James Yorkston, Iron & Wine, and Bon Iver. Ringle, who blends Richard Buckner’s soft, serpentine delivery with Andrew Bird’s “I can’t open my mouth all the way” mumble populates his songs with the kind of woodsy, heart and soul-broken characters that one would expect to find lurking between the pines on a frosty Oregon morning in February, but it’s Broderick ( a member of fellow Portland folk outfit Norfolk & Western) who provides the chill. His string arrangements are grandiose in their simplicity and busy without ever interfering with Ringle’s poignant, icy prose. From the heady opener “Curs in the Weeds” to the surging, banjo-led “Working Poor,” the two carve up each track like master craftsman, finding the perfect middle ground between the sparse, reverb-laden landscapes of the Great Lake Swimmers and the orchestral, aching beauty of Hem. – James Christopher Monger

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