Legendary

Rate It! Avg: 4.5 (14 ratings)
Legendary album cover
Album Information

Total Tracks: 9   Total Length: 71:02

Write a Review 2 Member Reviews

Please register before you review a release. Register

user avatar

Inspiring

Andersong

I always hear inspiring music when I listen to Bob Florence. This recording is no different. Everything is top notch. It is sad to think this will be the last.

user avatar

The legendary genius, Bob Florence

oskibear

It is hard to believe that this recording of Bob Florence's Limited Edition is his final gift to the faithful. What a huge loss Bob's leaving is to those that dug his music. I am grateful for the beautiful compositions and sounds he has left with us. Bob Florence and his music will live forever. This last recording of the Limited Edition is a must for all big band enthusiasts as are the many previous works.

Recommended Albums

eMusic Features

0

Modern Big Band Jazz

By Robert Wetstone, eMusic Contributor

Yes, the golden age of big bands and swing was a moment like no other in popular music, and the influence of the likes of Artie Shaw, Glenn Miller, Basie, and Duke reverberates through all of jazz through today. But at the same time that standing bands became economically nonviable, big band music began to explode in a thousand directions. This program begins in 1963 and looks across a wide spectrum of modern big bands… more »

They Say All Music Guide

Bob Florence gained the respect of many jazz musicians for his innovative scoring of familiar pieces, along with his impressive originals. His death in early 2008 provoked the recording of this excellent tribute, utilizing some of his best charts and musicians who had played with him over the years, with Alan Broadbent spelling Florence at the piano. Florence added repeated riffs in the background in several sections of his breezy setting of “Take the ‘A’ Train,” while his use of call and response and striking ensembles in his scoring of Johnny Mandel’s “Suicide Is Painless” (aka “Theme from M*A*S*H”) sets it apart from typical recordings. The composer’s sense of humor is apparent in his loping “Geezerhood,” which starts with whimsical exchanges between parts of the reed sections before taking a bluesy turn as it showcases trombonist Scott Whitfield’s delicious muted solo. A bit of Bill Evans’ “Turn Out the Stars” is utilized to introduce a rather brisk version of Michel Legrand’s “You Must Believe in Spring.” The final track features Bob Florence on piano (though the recording date is not given for this selection) in a particularly haunting rendition of “Auld Lang Syne,” which sounds as if he knew this would be his last recording. Highly recommended! – Ken Dryden

more »