Post-Nothing

Rate It! Avg: 4.0 (835 ratings)
Post-Nothing album cover
Album Information

Total Tracks: 8   Total Length: 35:44

eMusic Review 0

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Melissa Maerz

eMusic Contributor

06.05.09
A sad and funny and moving account of what it means to have a quarterlife crisis
Label: Polyvinyl Records

A sad and funny and moving account of what it means to have a quarterlife crisis. Two twenty-something Canucks careen around Vancouver in the rain, missing ex-girlfriends, worrying about the rent, getting nostalgic for the old days when just getting drunk was enough. "You can keep tomorrow / After tonight we’re not gonna need it," they insist, and they play like they’re telling the truth: Brian King strikes his guitar like he’s burning through matches, David Prowse fist-fights his drum kit, distortion crackles with pent-up energy. Somewhere in all that noise is the sound of growing up — restlessly, reluctantly. "We used to dream," they sing, "Now we worry about dying."

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Uptempo Energy

djFLWB

I like the music but the mix is muddy. Is dropping the treble supposed to make it ironic? No, it just takes away the brightness.

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disappointing

stopbeatingme

I first downloaded the lead-off track (which I liked) then got the whole album. I don't feel the album as a whole works very well. The sound is pretty unoriginal, the songs are kind of blah and the lyrics are probably the worst I've ever heard in alternative rock. But the first track's pretty good and so is "Sovereignty."

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Stripped down sound

ratrob

I love a band that puts tons of layers in their music but its also fun to hear a stripped down sound. Japandroids does a great job of stipping everything down with guitar, drums and vocals from both members. The songs have energy and I find myself shouting with them in the car, although not nearly in tune or time. Great album

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Two people sound like four

ccomerfo

Amazing energy out of this guitar-drum trio. On Pitchfork’s B-Stage in 2009, they managed to generate enough sound to drown out the main stage. The songs are stripped-down, and ready for your road-trip mix.

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Sporadically awesome

mdl338

These are great musicians. Their best moments are the kind that make you miss your stop on the subway because you're so caught up in the music. The vocals sometimes feel whiney and verge too much on emo-punk for my taste, but the raw power and fuzzy energy makes the overall sound exciting. These guys are definitely worth following for years to come.

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the olympics, are in vancouver

Suzuka

but I don't give a f**k. great lp.

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the pains of being a japandroid at heart

DFA1977

love it. simple and enjoyable. fuzzed-out addictive repetition. reminds me of boys life yelps x'd with the new breed of 'gazers sense of big-muffness fender-twin overdrivernessicity.

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A Tad Over-Rated !

fidel.cullen666

Gave it 3 stars. Don't get all the fuss, but a pleasant enough noise!

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I know it's from 2009-

EMUSIC-009C15A8

--but this is the best album I've heard in 2010. Fresh, fast, furious, raw. Can't wait to hear more.

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Late '90's

SammyCenny

They sound familiar to me. Not bad, but I feel I would like them much more if it was 1997.

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They Say All Music Guide

For their debut, Japandroids hit the ground running on Post-Nothing, a warm flurry of fuzzy guitar, disjointed crashing drums, and childlike vocals yelled in unison by guitarist Brian King and drummer David Prowse. Several seasons before the album was released, “Young Hearts Spark Fire” hit the blogosphere and earned the band enough praise to secure a spot on Polyvinyl. The buzz continued with quite a few comparisons to fellow lo-fi/ noise rockers No Age and Wavves, two of the hottest forerunners on the hipster art-punk scene. (Japanther is probably a closer comparison, due to their similar super-sized two-man sound and singing style, but then again, Japandroids aren’t an easy band to pin down.) The lo-fi/noise rock tag is such a wide ranging term that it’s a pretty loose fit. Think of it as a triple XL that the malnourished (metaphorically speaking) musicians can only wear if they wrap up in layers and layers of distortion. Behind the ’90s shoegaze overdrive and underneath all the punk rock thrashing, Japandroids’ songs are absolute pop in the truest sense. They’re innocent, they’re simple, and they’re filled with blindingly good hooks. It’s all thrown together with a superb sense of knowing what works. With all the fat trimmed, of the eight songs there isn’t a bad track, making it difficult to choose a favorite, be it the sing-alongitude of “Wet Hair” and “Young Hearts Spark Fire,” the nod to Thin Lizzy with “The Boys Are Leaving Town,” the fantastic bashing of “Heart Sweats,” or the heartfelt sincerity of “Crazy/ Forever.” The lyrics aren’t exactly thoughtful. Mainly, they’re about girls and drinking, but they’re delivered with such passion that they seem truly earnest, even when the line involves French-kissing French girls on Bikini Island. Just before the spring fever wears off and “Sovereignity” dissipates into the teeth-rattling power ballad closer, “I Quit Girls,” the boys shine brightest as they shout, “It’s raining in Vancouver/ but I don’t give a fuck, because I’m alone with you tonight.” It pretty much sums up the Japandroids code. They act apathetic, but they’re totally sentimental. Likewise, they’re musically proficient even though they’re sloppy as hell. – Jason Lymangrover

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