Twin Sons Of Different Mothers

Rate It! Avg: 4.5 (57 ratings)
ALBUM INFORMATION

Total Tracks: 10   Total Length: 34:31

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This album helped change my musical tastes...

wasit10538

Up until this year I'd been an easy-listening fan, especially California pop and folk-pop, cheerfully enjoying music my teachers and parents listened to. (Dan Fogelberg fits this scene perfectly.) Well, naturally the adventurous collaboration described in the All Media Guide review intrigued me. So, I wondered, what else has Tim Weisberg done? If I liked this, what would I also like? Three years later, I was listening to Roy Ayers, McCoy Tyner, the Heath Brothers, the Pat Metheny Group, pretty much all the popular jazz i could get my hands on. Thank you, Mr. Fogelberg.

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Classic tunes from the "twins"

beroger0

I used to listen to this album (in vinyl) by the hours. I even sung this version of "Since You've Asked" at my own wedding.

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Don't Pass This One By.....

zeusdvm

Conceived during the recording of Nether Lands, this album is a real gem, combining the diverse talents of Dan Fogelberg with Tim Weisberg. The blending of their styles makes this a delight to listen to. Granted, there are hits (Power of Gold, Tell It to My Face), but my faves are the beautiful "All I Ask" ( Dan trumping Judy Collins), the haunting "Paris Nocturne," "Twins Theme" and "Guitar Etude No. 3." Great album.

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I know you're all looking for the track...

kupitero

..."Tell Me To My Face", but try the other tracks as well in this delighful LP. "Intimidation" is all about that soaring flute licks by Tim Weisberg. I would say that this was Dan Fogelberg's '2nd' best as far as 'emotionally-inspired' LPs that he has released after his beloved "Nether Lands" LP, of course. Thanks, eMusic!

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They Say All Media Guide

Much like Joni Mitchell, Dan Fogelberg, primarily a singer/songwriter, sought to continue his musical growth on this release by adding jazz to his sound. Rather than simply employing jazz musicians as his musical backing, Fogelberg here went for an all-out collaboration with jazz flutist Tim Weisberg, even to the point of having him co-produce the album. As experimental as the album appeared on the surface, it was the perfect mix of jazz-tinged instrumental music and folk- and country-inspired pop/rock. Proving that ambitious collaborations between artists who seek to mix genres needn’t result in the commercial disappointment that many expect, the album yielded the hit “Power of Gold,” which further augmented Fogelberg’s commercial clout. The album, like its predecessor, Nether Lands, is beautifully produced, is best listened to as a complete effort, and still sounds strong all these years later. – Stephen J. Matteo

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