Heavy Weather

Rate It! Avg: 4.5 (206 ratings)
ALBUM INFORMATION
EDITOR'S PICK
  • Artist: Weather Report (See All Albums by Weather Report)
  • Date Released: Sep 23, 1997

  • Genre: Rock/Pop, Style: Rock

  • Label: Columbia/Legacy

Total Tracks: 8   Total Length: 37:42

eMusic Review

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Peter Margasak

eMusic Contributor

Peter Margasak has been a staff music writer at the Chicago Reader, where he covers everything from jazz to world music to country, since 1995. He's also a regu...more »

06.30.09
A seamless balance of jazz chops, sophisticated arrangements and indelible melodies
1997 | Label: Columbia/Legacy

With its seventh album, Heavy Weather, this pioneering jazz-rock fusion juggernaut hit its stride, scoring a pop hit with the buoyant Joe Zawinul-penned "Birdland" and achieving a seamless balance of jazz chops, sophisticated arrangements and indelible melodies. Although keyboardist Zawinul, displaying his most kaleidoscopic palette of synthesizer sounds and electric piano textures yet, and the legendary saxophonist Wayne Shorter were still running the show, the band got a big boost from the electric bass virtuoso Jaco Pastorius, who'd joined Weather Report for the previous album, Black Market. He contributed two compositions — the funky, pre-disco throb of "Teen Town," where doubles on some incredibly crisp, propulsive drums, and the rising-and-falling energy of "Havona" — but his forceful, extremely flexible playing provided a low-end presence and pop polish that helped make the album a commercial smash.

In some ways, Weather Report approached pop here the same way Steely Dan tackled jazz on their classic Aja the same year — both albums were released in 1977. Both entities understood the styles they were embracing, but they refused to be cowed or compromised by them.

Here no single approach is privileged; the arrangements, improvisations and compositions are all equally important. With… read more »

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Wow...just awful

anose

I had a cassette of this in high school and I remember not liking it much then. I DL-ed it today, thinking I'd appreciate it more as a wiser old man. Wrong. Hated it then, hate it now.

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This is Jazz Fusion

dgcirkus

Birdland. a statement that made "instrumental" music a usable term. A Remark You Made. Displayed much of what Jaco Pastorius would evolve into during his shortened career. Overall playing, from wayne Shorter to Zawinul is pure perfection.

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A True Classic: Pump Up the Volume

EMUSIC-009A02C4

One of the classic fusion albums from the 70s. It's a must have. Play it often. Play it loud.

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Wore out the cassette

RichardF

This album was the first Jazz Fusion band I ever listened to. I was initially lent Heavy Weather by a friend, but was then forced to track down and buy my own copy, which stayed in my Sony Walkman (remember them?) for most of the summer. If you haven't heard Weather Report before (where have you been?), try sampling Birdland and The Juggler. If you like them, chances are you'll enjoy the whole album.

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They Say All Media Guide

Weather Report’s biggest-selling album is that ideal thing, a popular and artistic success — and for the same reasons. For one thing, Joe Zawinul revealed an unexpectedly potent commercial streak for the first time since his Cannonball Adderley days, contributing what has become a perennial hit, “Birdland.” Indeed, “Birdland” is a remarkable bit of record-making, a unified, ever-developing piece of music that evokes, without in any way imitating, a joyous evening on 52nd St. with a big band. The other factor is the full emergence of Jaco Pastorius as a co-leader; his dancing, staccato bass lifting itself out of the bass range as a third melodic voice, completely dominating his own ingenious “Teen Town” (where he also plays drums!). By now, Zawinul has become WR’s de facto commander in the studio; his colorful synthesizers dictate the textures, his conceptions are carefully planned, with little of the freewheeling improvisation of only five years before. Wayne Shorter’s saxophones are now reticent, if always eloquent, beams of light in Zawinul’s general scheme while Alex Acuña shifts ably over to the drums and Manolo Badrena handles the percussion. Released just as the jazz-rock movement began to run out of steam, this landmark album proved that there was plenty of creative life left in the idiom. – Richard S. Ginell

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