Desire

Rate It! Avg: 4.5 (243 ratings)
ALBUM INFORMATION

Total Tracks: 9   Total Length: 56:01

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My favorite Dylan...

61Blues

I've had this album since it came out as well, and love the whole thing. Isis is a cool story and One more cup of coffee is covered by more bands than most Dylan tunes. Smokey, southwestern feel to the whole thing. If I remember correctly, Mozambique got a bit of airplay off this in addition to Hurricane becoming a hit. Highly recommend this one.

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Disappointing effort

LouietheKing

I have never understood why this album is rated so highly. The songs with Levy are not very interesting and the solo offerings are mawkish. His vocal style is hortatory and off-putting. Not a single first-rate song on the album IMO, and Joey and Hurricane, his two "let's glorify a homicidal criminal" interminable epics are equally insufferable.

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Why not?

doobbuyer

Why not get this album? Why not enjoy one of Dylan's most unique offerings? From the first song Bob goes back to what he does best - shining a light on what he sees as wrong and illuminating a subject so that all your senses are hit on several levels. This, along with Scarlet Rivera's haunting violin, makes an album much different than his previous work but very enjoyable. If you have any interest in Dylan, why not get one of his different albums?

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Hugely Entertaining

Motorheadfan

Since its original release, one of my favorite albums of all time. Great story telling songs range from the derivative Romance in Durango to the intensely political Hurricane but are always engaging. Highly listenable, that haunting Gypsy violin provides the thread that hold the album together far better than most critics say. Don't listen to them.

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They Say All Media Guide

If Blood on the Tracks was an unapologetically intimate affair, Desire is unwieldy and messy, the deliberate work of a collective. And while Bob Dylan directly addresses his crumbling relationship with his wife, Sara, on the final track, Desire is hardly as personal as its predecessor, finding Dylan returning to topical songwriting and folk tales for the core of the record. It’s all over the map, as far as songwriting goes, and so is it musically, capturing Dylan at the beginning of the Rolling Thunder Revue era, which was more notable for its chaos than its music. And, so it’s only fitting that Desire fits that description as well, as it careens between surging folk-rock, Mideastern dirges, skipping pop, and epic narratives. It’s little surprise that Desire doesn’t quite gel, yet it retains its own character — really, there’s no other place where Dylan tried as many different styles, as many weird detours, as he does here. And, there’s something to be said for its rambling, sprawling character, which has a charm of its own. Even so, the record would have been assisted by a more consistent set of songs; there are some masterpieces here, though: “Hurricane” is the best-known, but the effervescent “Mozambique” is Dylan at his breeziest, “Sara” at his most nakedly emotional, and “Isis” is one of his very best songs of the ’70s, a hypnotic, contemporized spin on a classic fable. This may not add up to a masterpiece, but it does result in one of his most fascinating records of the ’70s and ’80s — more intriguing, lyrically and musically, than most of his latter-day affairs. – Stephen Thomas Erlewine

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