Riot Act

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Total Tracks: 15   Total Length: 54:06

eMusic Review

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Jayson Greene

International Editor

09.16.11
The most overlooked, underappreciated moment in their discography
Label: Epic

Riot Act is the most contemplative, insular record of Pearl Jam’s career; for the first time, they seemed to be speaking almost entirely to themselves. As such, it is the most overlooked, underappreciated moment in their discography. In its muted tone, the PJ record it recalls most powerfully is actually No Code, but this time, Vedder and the band feel genuinely comfortable in their own skin. The surfer-Zen koan “I Am Mine” could be a gently affirmative echo of “Who We Are,” right down to its modal chord progression. The similarly raga-like “Can’t Keep” arcs gently upward to Vedder’s pointed declaration “I don’t live forever/ You can’t keep me/Here.” The specter of death, always a sad theme in Pearl Jam’s career, looms over Riot Act: It was the first record since nine Pearl Jam fans were crushed to death and suffocated underfoot by a crowd at the Roskilde Festival. On the swelling multipart suite “Love Boat Captain,” Vedder references it mournfully and directly: “Lost nine friends we’ll never know/ Two years ago today.” The song, held aloft by a graceful Hammond organ, remains one of their late-period masterpieces, the sound of a tragedy-scarred band embracing its crags.

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Underated

fille

Pearl Jam's first few albums are always the ones that people talk about, but there moste recent albums are often overlooked, the band like Radiohead continues to evolve, this record, and Binaural should both be listened to.

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They Say All Media Guide

In some ways, Riot Act is the album that Pearl Jam has been wanting to make since Vitalogy — a muscular art rock record, one that still hits hard but that is filled with ragged edges and odd detours. Vitalogy found the band sketching out their ideas for their brand of artsy rock, separating bracing hard rock and experimentalism throughout that fascinating album, and since then they bounced between those two extremes: indulging themselves on No Code, over-compensating with the streamlined Yield. Here, they manage to seamlessly blend the two impulses together in a restless, passionate record that delivers musically and emotionally. If it doesn’t announce itself as a comeback or a great step forward, it’s because the changes are subtle — it’s a process of their post-Vitalogy sound finally gelling, not making an artistic breakthrough. Given the appealing but haphazard nature of their late-’90s work, it’s quite satisfying to have a Pearl Jam album play as strongly as Riot Act, and again some credit must be given to drummer Matt Cameron. He enlivened 2000′s Binaural, but his forceful drumming gives the weirder songs and ambitions support and urgency. Also, the production is the best in nearly a decade — a warm, burnished sound filled with details that enhance the basic song instead of overwhelming them (in other words, it’s not No Code, nor is it the Spartan Yield). Again, these are subtle shifts in sound, but they are notable and, given several plays, this does indeed seem like the richest record Pearl Jam has made in a long time. – Stephen Thomas Erlewine

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