Live - Evil

Rate It! Avg: 5.0 (48 ratings)
ALBUM INFORMATION
LIVE

Total Tracks: 8   Total Length: 101:41

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one of my favorites!

babspiano

So many events on this record... betweein the Keith/Jack/Bartz band to John McLaughlin's contribution (at the top of his game) to Hermeto Pascoal's gorgeous contributions... a must have...

user avatar

Stepped On

Ravenkeep

Great CD; Miles's electric period is absolutely amazing. GBQ, I am glad e-music exists, because I have been able to find very rare music here, but all MP3s are compressed using a lossy format. Even .41 per track is too much for stepped on music; especially when CDs are available from multiple sources. There are only two reasons to buy compressed online music; 1 it’s impossible to find, 2 it’s cheap. I have bought exactly 1 album from iTunes because their prices are terrible. I watch cds at multiple web sites and often buy them for under $5 shipped. Music with no media, no cover art, and no liner notes that is lower fidelity is not a bargain. Also now that e-music has raised their prices and changed from tracks to credits it is high art to spend all your credits. I have a good 50 albums in my saved wait and see list that I cannot purchase track at a time. If you like the changes, more power to you; I am going to have to join the larger crowd and say the changes stink. FLAC now!

user avatar

I'm not even complaining.

GoodBadQueen23

I don't mind the price, but this artwork is really righteous and I think I might even consider finding this on Vinyl somewhere. I saw the back cover online or in a book and the whole thing is really mind-bending. I'm definitely paying extra for at least CD, and yes, it is extra, this is still cheaper so STFU with your "It's not as cheap as it once was! Life is getting hard and I can't cope *WAAH*." This is still less expensive than the worst used copy on CD at Amazon with no shipping, and it's also more than $7 cheaper than Amazon MP3. Be grateful eMusic is still at $.40 per song when iTunes is now $1.29 prices are rising everywhere and I think an expansion in the catalog here is more than worth the extra $.04 per song or whatever. Also, I love Miles Davis and all his music I've heard so far (just thought I should mention the album I'm "reviewing" too).

user avatar

this pricing is a disgrace

mumblestutter

good record, buy the CD and skip getting bent over............

user avatar

this pricing blows

coltranedigger

having serious doubts about my emusic sub

user avatar

what!

sillyilly

so you drop me down to 50 credits a month so that you can bulk up your catalog with all of this great new stuff and then you start hacking with the way credits go down! Seriously! This is such crap! I thought Id give it a month to see how good this new catalog was going to be but this is ridiculous! Oh yeah but this is phenomenal album.

user avatar

great album

ucomposer

well its a 2 disc live set. Some of my all-time favorite jazz on this disc. Highly recommended (if you don't like the 24 credits, go buy the album for $15). Oh and I just downloaded a Duke Ellington album with 26 tracks for only 12 credits, so it works both ways...

user avatar

another fine mess from emusic

dramoscordova

example #325 of current emusic ripoff 'lets make our major label masters happy!!" policy.

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They Say All Media Guide

Live-Evil is one of Miles Davis’ most confusing and illuminating documents. As a double album, it features very different settings of his band — and indeed two very different bands. The double-LP CD package is an amalgam of a December 19, 1970, gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Bartz, Keith Jarrett on organ, and percussionist Airto. These tunes show a septet that grooved hard and fast, touching on the great funkiness that would come on later. But they are also misleading in that McLaughlin only joined the band for this night of a four-night stand; he wasn’t really a member of the band at this time. Therefore, as fine and deeply lyrically grooved-out as these tracks are, they feel just a bit stiff — check any edition of this band without him and hear the difference. The other band on these discs was recorded in Columbia’s Studio B and subbed Ron Carter or Dave Holland on bass, added Chick Corea and Herbie Hancock on electric pianos, dropped the guitar on “Selim” and “Nem Um Talvez,” and subbed Steve Grossman over Gary Bartz while adding Hermeto Pascoal on percussion and drums in one place (“Selim”). In fact, these sessions were recorded earlier than the live dates, the previous June in fact, when the three-keyboard band was beginning to fall apart. Why the discs were not issued separately or as a live disc and a studio disc has more to do with Miles’ mind than anything else. As for the performances, the live material is wonderfully immediate and fiery: “Sivad,” “Funky Tonk,” and “What I Say” all cream with enthusiasm, even if they are a tad unsure of how to accommodate McLaughlin. Of the studio tracks, only “Little Red Church” comes up to that level of excitement, but the other tracks, particularly “Gemini/Double Image,” have a winding, whirring kind of dynamic to them that seems to turn them back in on themselves, as if the band was really pushing in a free direction that Miles was trying to rein in. It’s an awesome record, but it’s because of its flaws rather than in spite of them. This is the sound of transition and complexity, and somehow it still grooves wonderfully. – Thom Jurek

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Activity

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