Still Feel Gone

Rate It! Avg: 4.5 (276 ratings)
Still Feel Gone album cover
Album Information

Total Tracks: 18   Total Length: 51:17

eMusic Review 0

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Peter Blackstock

eMusic Contributor

09.23.11
Destined to leave an indelible mark on American music
2003 | Label: Columbia/Legacy

If Uncle Tupelo’s 1990 debut No Depression had suggested Jay Farrar was the band’s focal point, the first track on the band’s 1991 follow-up served notice of Jeff Tweedy’s arrival. The raw emotion of Tweedy’s “Gun” catches fire amid Uncle Tupelo’s power-trio abandon, creating his first great moment on record; indeed, the song has remained a fan favorite throughout his subsequent Wilco years. Tweedy’s sweeter side shines on the album’s bookend, “If That’s Alright,” a quiet number with atmospheric keyboard washes that hint at some of his future explorations. In between, Farrar serves up a few more gems that have stood the test of time, including the aching acoustic ballad “Still Be Around” and “True To Life,” a country-ish rambler which signaled where the band’s next two albums would venture. Along the way, they paid tribute to punk rock mentors the Minutemen with “D. Boon,” and on “Looking For A Way Out,” their voices united in anthemic glory: “There was a time — that time is gone.” Taken as a whole, Still Feel Gone was slightly more hit-and-miss than No Depression, but its high points made clear that Tweedy and Farrar were destined to leave an indelible mark on American…

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fast and furious and...

sameoldparadise

....for my money the album that defined alternative country... not the first and plenty of great ones followed in the genre.... but none capture that springsteen-like restless desperation like this.... and hope too, born from sheer velocity....

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Blazing

thelastleaf

Probably the most raw of Uncle Tupelo's albums - almost certainly the most punk - and my least favorite of their stuff, but still killer. So many great songs - 'Gun', 'Still Be Around', 'True to Life'...

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pure energy

toxicyaker70

Great stuff, helped revive my interest in punk and country, at the same time!

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Farrar at his best

jwimpey

Despite the behind the scenes fighting, Tweedy and Farrar kept the group together for one last album. Romps from holler to bleak streets and back. Soulful.

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50 stars

ccsbandwagon

one of the greatest country/punk/parm records ever released.

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They Say All Music Guide

Uncle Tupelo clearly defined their nervy Gram Parsons-meets-the Minutemen sound on their debut album, 1990′s No Depression, and their 1991 follow up, Still Feel Gone, found them branching out into new variations of their previously established themes. While No Depression was dominated by breakneck tempos with the occasional slow, contemplative number thrown in for variety, Still Feel Gone found Uncle Tupelo taking a closer look at the middle ground, as evidenced by the high-strung acoustic guitars of “Still Be Around,” the measured but powerful Crazy Horse stomp of “Looking for a Way Out,” the lonesome shuffle of “True to Life,” and the stark atmospherics of “If That’s Alright” (the latter of which in retrospect sounds like the first dawning of the ideas Jeff Tweedy would explore with Wilco). But plenty of what made No Depression so impressive is still on view here, including the brutal stutter-step of “Gun,” the simple but powerful declaration of “Watch Me Fall,” and the heartfelt tribute to an obvious influence, “D. Boon.” And if anything, the band sounds even more powerful this time out, and the broader picture of their abilities only confirms how strong a combination Jay Farrar, Jeff Tweedy, and Mike Heidorn really were. Columbia/ Legacy’s 2003 reissue has been newly remastered, which gives the audio noticeably greater detail and punch, and five bonus tracks have been included — two hard-to-find single sides (“Sauget Wind” and a cover of the Soft Boys’ “I Wanna Destroy You”), and early demos of three cuts from the album which differ significantly from the final versions (“Watch Me Fall,” “Looking for a Way Out,” and “If That’s Alright”). If Still Feel Gone isn’t as immediately impressive as No Depression, a few plays confirms it’s still the work of a gifted band at full strength, and this reissue gives the album the special treatment it deserves. – Mark Deming

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