Greetings From Asbury Park, N.J.

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ALBUM INFORMATION

Total Tracks: 9   Total Length: 36:59

eMusic Review

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Glenn Kenny

eMusic Contributor

06.30.09
Bruce Springsteen, Greetings From Asbury Park, N.J.
Label: Columbia

Way back in the day, the Boss was what you'd call a "singer/songwriter," and the music industry was on a non-stop search for the "new Dylan." Understand, though, that as singer/songwriters go — or we should say, went — the South Jersey-based Springsteen was different. No sensitive wet noodle, this veteran of several Jersey shore bar bands was as rangy and tough as he was romantic and verbally dexterous. Hence, when Springsteen auditioned in the early ’70s for legendary talent scout and record man John Hammond, who had discovered the old Dylan a decade and change prior, Hammond really did hear something new. And for all the classic rock influences audibly evident on his debut album—Dylan, of course, but the Band and Van Morrison are the more obvious antecedents — the passion and the humor and the crazy imagery of songs such as "For You," "Growin'Up" and the epic "Blinded By the Light" still vibrate with a distinctive energy. David Bowie was impressed — he covered "Growin'Up," for potential inclusion on his Young Americans album. Prog Brits (and longtime Dylanologists themselves) Manfred Mann dug Bruce too—their synth-driven cover of "Blinded" became a US Top 40 hit.

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Before the myth...

rastamon

...the man. This album, and the second, still remain my favorite Springsteen albums.

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A classic debut....

uclawins

Great album musically and lyrically. Most people know "Blinded by the Light" because of the Manfred Mann cover but this is better. "Lost in the Flood" is my favorite song on this album. "Hard to be a Saint in the City" was covered by Bowie and is a great song.

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The Boss' first is still great

StevieK

Loved this album form the first time I placed the needle on my vinyl pressing and heard Blinded by the light. I was hooked. then to see him live in a gym in 1975 hooked me for life. Next month I'm seeing him for my 43rd(Giants) and 44th(Hall of fame benefit). Life is great.

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Live is preferable

downingcr

I don't want to denegrate Springsteen's first album, because most of these are great songs . . . but they are far better live. Most of these songs can be found on Bruce's live releases (LIVE 75-85, HAMMERSMITH ODEON, & LIVE IN NY 2000). The live versions are fantastic, and far better than these early studio recordings.

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Love these songs!

xj32

These versions are just so much more real compared to the overdone Manfred Mann versions.

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Amazing Album

seanguitartab

In my all time top five. I don't care for later Bruce (later being anything after Born to Run) but this album has "earnest singer songwriter trying to make it" written all over it in Van Morrison's hand writing. Epic.

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Rip Off

Beatlenut

Not fair Sony & emusic we are losing our DLs for no access to albums. We're sorry. This album is unavailable for download in your country (New Zealand) at this time. We apologize for any inconvenience this may cause.

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Icon: Bruce Springsteen

By Glenn Kenny

If ever there was a rock 'n 'roll icon who needed no introduction, Bruce Springsteen - who got his nickname "The Boss" because, from very early on, he was the guy who made sure the band got paid - is surely that guy. As for that band, the current lineup of his longtime crew the E Street Band is Nils Lofgren on guitar, Miami Steve Van Zandt on guitar and sundries, Clarence "the Big Man"… more »

They Say All Media Guide

Bruce Springsteen’s debut album found him squarely in the tradition of Bob Dylan: folk-based tunes arranged for an electric band featuring piano and organ (plus, in Springsteen’s case, 1950s-style rock & roll tenor saxophone breaks), topped by acoustic guitar and a husky voice singing lyrics full of elaborate, even exaggerated imagery. But where Dylan had taken a world-weary, cynical tone, Springsteen was exuberant. His street scenes could be haunted and tragic, as they were in “Lost in the Flood,” but they were still imbued with romanticism and a youthful energy. Asbury Park painted a portrait of teenagers cocksure of themselves, yet bowled over by their discovery of the world. It was saved from pretentiousness (if not preciousness) by its sense of humor and by the careful eye for detail that kept even the most high-flown language rooted. Like the lyrics, the arrangements were busy, but the melodies were well developed and the rhythms, pushed by drummer Vincent Lopez, were breakneck. – William Ruhlmann

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