The River

Rate It! Avg: 4.5 (584 ratings)
ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 20   Total Length: 82:55

eMusic Review

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Glenn Kenny

eMusic Contributor

06.30.09
Bruce Springsteen, The River
Label: Columbia

This record has a deck-clearing swagger that's entirely appropriate to its original format — the vinyl double album. It's full of tunes that are great to chug beer and pump fists to — titles such as "Sherry Darling," "I'm A Rocker," "Out In The Street," "Crush on You," "Cadillac Ranch" all speak for themselves. Then of course, there's "Hungry Heart," the first Springsteen song to have a big Top 40 impact, and a tune that Bruce had originally shopped to the Ramones. As much fun as it is, the record's not entirely light-hearted and, in fact, Springsteen wrote a lot of the darker tunes late in the album's recording, in the interest of creating a wider-ranging, more fleshed-out record. The title track and "Point Blank" are two of his finest ballads, and the latter is one of his most harrowing songs. Then there's the epic "Drive All Night," which has more in common with the drony avant-rock of Suicide (a band whose influence Springsteen would acknowledge years later with a cover of their "Dream Baby Dream") than with "Jungleland." And finally, the album's quietly haunting closer, "Wreck on the Highway," once heard, never forgotten.

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baby if you want to be wild....

sameoldparadise

skip this and get candy's room, badlands, thunder road and born to run........ 4 songs by the guy who takes off for somewhere at 2am (in an old muscle car) with the girl that will go.... not the guy who wakes up every morning with the best looking girl in the audience...

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Hit and Miss

UtahMan

Like a good double album should it has some real gems. There are also some tracks that put me to sleep. I would rank this album tied for 2nd on my list of Springsteen's best. Nothing in his catalog can touch Born in the USA, but this album matches it at times.

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a notch below his best

kajman

but still quite good. would be even better as a single (no filler) album

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Not quite there...

starman11

Not my favorite. Seems Springsteen was in transition here. He, of course, had the stories but not the sound. Still a fairly young artist--who'd undeniably been working hard--he's always sounded 'not quite there' on this one. BUT it's Sringsteen--4 stars.

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My Introduction to the Boss

MannieJo

This album was my introduction to Bruce Springsteen, at the age of 5, and even then, the haunting title track grabbed me. Though years later would see Born in the USA cement Springsteen's iconic status with my generation, the River still speaks to me of the double sides of middle American life.

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Awesome, but . . .

downingcr

. . . as Steve Van Zandt might say, its incomplete. Bruce wrote and recorded over a hundred songs between 1977 and 1979, and only a few actually made it onto Darkness and the River. My advice is, get this album, and then download TRACKS, because many of the missing songs from the recording sessions are there. Anyway, this is a great album. The general theme is "beer party" but there are some soul searchers here, including "The River" and "Stolen Car."

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A Masterpiece

yellowman

It rocks, and it rocks hard. Love it.

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eMusic Features

Icon: Bruce Springsteen

By Glenn Kenny

If ever there was a rock 'n 'roll icon who needed no introduction, Bruce Springsteen - who got his nickname "The Boss" because, from very early on, he was the guy who made sure the band got paid - is surely that guy. As for that band, the current lineup of his longtime crew the E Street Band is Nils Lofgren on guitar, Miami Steve Van Zandt on guitar and sundries, Clarence "the Big Man"… more »

They Say All Media Guide

Imbedded within the double-disc running time of The River is a single-disc album that follows up on the themes and sound of Darkness on the Edge of Town — wide-screen, midtempo rock and stories of the disillusionment of working-class life and the conflicts within families. In these songs, which include the title track, “Independence Day,” and “Point Blank,” Bruce Springsteen’s world-view is just as dire as it had become on Darkness, but less judgmental. “Independence Day,” for example, is a father-and-son ballad that has little of the anger of its hard rock counterpart on Darkness, “Adam Raised a Cain.” Springsteen’s heroes again seek to overcome their crushing troubles through defiance and by driving around, and though “The River” repeats the soured love theme of “Racing in the Street,” he also posits romance as a possible escape, sometimes combining it with one of the other solutions, as on the eight-plus-minute “Drive All Night.” But there is also another album lurking within The River, and it is a more lighthearted pop/rock collection of short, sometimes humorous songs like “Sherry Darling” and “I’m a Rocker.” At times Springsteen combines elements of the two, as on “Out in the Street,” perhaps the album’s quintessential song, a catchy, uptempo number that sounds like something from the early ’60s and echoes the theme of the Vogues’ 1966 hit “Five O’Clock World.” “Hungry Heart,” which became Springsteen’s first Top Ten hit, combines a rollicking musical track with a more sober lyrical theme that emphasizes longing over disappointment. But a better guide to Springsteen’s development are the songs “Stolen Car” and the album-closing “Wreck on the Highway,” gentle, moody ballads imbued with a sense of hopelessness that anticipate his next record, Nebraska. – William Ruhlmann

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