76:14

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Total Tracks: 10   Total Length: 76:12

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philip sherburne

eMusic Contributor

Electronic music columnist for eMusic.com; writer for fishwrap like The Wire, XLR8R, SF Weekly, RES, Nylon, and Wired; columnist for Pitchfork; blogger (www.phi...more »

06.30.09
Lone longplayer from Tom Middleton and Mark Pritchard tops the pantheon of classic ambient albums
1997 | Label: Arista

Global Communication's 76:14 ranks somewhere near Aphex Twin's Selected Ambient Works Vol. II in the pantheon of classic ambient albums — which is to say, near the very top. Released in 1994, the album, whose title doubles as its running length, was the lone longplayer to come from Tom Middleton and Mark Pritchard's headiest alias. (They also recorded deep electro-funk as Jedi Knights, Link & e621 and Reload & e621; both went on to solo careers in deep house and experimental breakbeat music, respectively.) '70s forebears like Brian Eno and Vangelis inform the duo's measured pacing and their emphasis upon the tone color of warbly electronic sounds; the opening "4:02" is obviously rooted in both Ambient 1: Music for Films and the Blade Runner soundtrack (or at least, it would be if something so ethereal could have roots), and those drifting, wavering lines continue to lace 76:14 like silvery ribbons.

Global Communication's distinguishing factor is the way that they use breakbeats to give rhythmic life to their tracks. (They weren't the only ones to do this, of course; alongside them were the Orb, Sun Electric and Biosphere). "9:25" assembles itself,… read more »

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Not just Classic, Perfection

Joseph93

This is one of the very few albums which can be called, without hesitation, perfect and flawless (and not just for electronica, I mean music, period). Hasn't lost a bit of relevance or magic. OK, I'm going to say it: this even tops SAW II. Listen to the samples of 9:25, 4:14, hell, any of them to see what I mean.

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Classic album

donK

This album is a classic, defintely worth owning

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A classic -Worth buying the entire CD

bbnowski

One of the very few complete CD's that I've ever downloaded, this is still in regular rotation on my playlist. (I take that back, track 6 is annoying and usually skipped, but the CD works well without it.) I missed this in '94, glad I caught up to it. It sounds as fresh as a new release, both the production and the sounds. A true classic.

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Buy it at Bleep... Remastered and Bonus Tracks

hayhook

this Album is brilliant and a must have, but you should pick it up at Bleep.com (They have the remastered version with 7 bonus tracks including the Keongaku ep, Two exquisite GC remixes and their three brilliant deep house classics, the way, the deep, and the groove.)

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one of the classics

bleego

Emusic's horrible new pricing plan aside (which is why I will be canceling my account this month), this record is a pure masterpiece of an ambient electronic album from the 90's. Rich and layered even by today's standards, it definitely captures a time and sounds fresh at the same time. The latter half of the album really gets expansive and is stronger, but from start to finish it is probably the zenith of this collaberation

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"Music for Airports"

braingarden

There is an error in Philip Sherburne's review: "Ambient 1: Music for Film" should obviously be "Ambient 1: Music for Airports" - classic ambient by Eno. "76:14" is along those lines.

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What! 10 Tracks Costs 12 Credits!

EMUSIC-00DBCE5C

Great Album but Crappy price! Get it elsewhere.

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Grrr!

Fancyartist

I want 12:18, but have to buy the whole album to get it. Me no like!

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They Say All Media Guide

Tempering the industrial tilt of their previous Reload material with slower, more graceful rhythms and an ear for melody unmatched by any in the downtempo crowd, Mark Pritchard and Tom Middleton produced the single best work in the ambient house canon. The tick-tock beats and tidal flair of “14:31″ are proof of the duo’s superb balance of beauty with a haunting quality more in line with Vangelis than Larry Heard (though both producers were heavy influences on the album). On several tracks the darkside appears to take over — the pinging ambience of “9:39″ — but for most of 76:14 the melodies and slow-moving rhythms chart a course toward the upbeat and positive. – John Bush

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