The Love Movement

Rate It! Avg: 4.0 (194 ratings)
ALBUM INFORMATION

Total Tracks: 21   Total Length: 73:19

eMusic Review

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Jeff Chang

eMusic Contributor

06.30.09
A Tribe Called Quest, The Love Movement
1998 | Label: Jive

By the fall of 1998, pop had caught up with the crew's innovations, and rap was still reeling from the deaths of Tupac and Biggie. Concerned mainly with desire and commitment, themes that had migrated from rap to R&B, The Love Movement was heard at the time as a retreat. In retrospect, it was actually another breakthrough, pointing forward to classics like D'Angelo's Voodoo. Producer Jay Dee (aka J Dilla)'s idiosyncratic tilt was felt on the throbbing "Start It Up" and the melancholic "Find A Way." Posse cuts "Rock Rock Y'all" and "Steppin 'It Up" recalled the mic-passing fireworks of "Scenario." "Against the World," "Common Ground" and "The Love" were affirmations of life, sexy and subtle answers to rap violence, and, in the end, perfect statements to close out the tribin 'era.

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Not great

ejrupert

When this album came out in 1998, I used to only listen to the last six bonus tracks, which were remixes or B-sides from Tribe's heyday. The rest of this album was hard to sit through. This album was even worse than Beats, Rhymes and Life. Q-Tip and Phife were aging, resulting in every guest star stealing the show from them, and the production sounds too watered down compared to their first three albums. Not to knock the late Jay Dee (who, with Q-Tip and Ali Shaheed, made up The Ummah, producers of the last two albums), but the sound just didn't work as well compared to when Tribe produced stuff by themselves.

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Underappreciated

LeaseDef

This is actually a really good tribe album. It has a smooth mellow vibe and sticks well to the theme of love. I like it immensely. But, you have to listen to the album without the last six tracks. The last six tracks up there are not part of the album proper, but were a bonus addition of b-sides and singles. They're mostly good tracks to have and many of them are good unto themselves, but they break up the flow of the album. They just don't fit. So treat this like it should've been released, tracks 1-15 are an album called The Love Movement. Tracks 16-21 are a separate bonus disk. And separated you'll like both parts better.

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Icon: A Tribe Called Quest

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If fellow travelers De La Soul were the giddy braniacs and the Jungle Brothers the funky eccentrics, A Tribe Called Quest were the artful romantics of the vanguard Native Tongues hip-hop crew in the mid-'90s. They shared their peers 'taste for conceptually rich work but, unlike De La, they preferred minimalism and, unlike the JB's, they proffered a sound that enfolded the listener (props due to shadow Quest member/studio wizard Bob Power). Because of that,… more »

They Say All Media Guide

Continuing with the subdued, mature stylistic flow of Beats, Rhymes and Life, The Love Movement, the fifth album from A Tribe Called Quest, is the group’s subtlest album yet — which may just be a polite way for saying it’s a little monotonous. Throughout the record, Tribe mines the same jazz-flavored, R&B-fueled beats that were the hallmark of Beats. Although the “love” concept provides a thematic cohesion to the album — almost all of the songs are about love, in one way or another — the overall effect is quite similar to its immediate predecessor: the music is enthralling for a while, but soon it all sounds a little too familiar. Part of the problem is that Tribe functions on a cerebral level, a point made painfully clear by Busta Rhymes’ and Redman’s roaring, visceral cameos on “Steppin’ It Up.” On their own, Tribe favors craft over raw skills. That means there are plenty of pleasures to be had from careful listening, but Tribe has reached a point where it’s easier to admire the Ummah’s stylish production and the subtle rhymes of Q-Tip and Phife than it is to outright love them, which is ironic for an album bearing the title The Love Movement. – Stephen Thomas Erlewine

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