Beats, Rhymes & Life

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ALBUM INFORMATION

Total Tracks: 15   Total Length: 51:12

eMusic Review

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Jeff Chang

eMusic Contributor

06.30.09
A Tribe Called Quest, Beats, Rhymes & Life
1996 | Label: Jive

After three classics, ATCQ left the Native Tongues hip-hop collective behind, adding beat-prodigy Jay Dee to their production team (christened "The Ummah") and Q-Tip's cousin Consequence as a third rapper. Despite the promising title, the crew sounded defensive, the rhymes were sometimes overstuffed, and tracks like "Crew" and "Stressed Out" felt overly-literal. Exhausted and stretched thin, the cracks were beginning to show. Despite this, their sonics remained exquisite: aided by Dilla, the Ummah's work on songs like "1nce Again" and "Get a Hold" marked the beginnings of a blueprint for the rap and neo-soul undergrounds as the millennium neared.

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ejrupert

This was a good album, but their first three were GREAT. The Ummah (Q-Tip, Ali Shaheed and J. Dilla) started producing the bulk of their work which lacked the punch of Tribe's own productions when placed with their lyrics (Dilla was still one of the greatest producers ever, R.I.P.). Also, Q-Tip and Phife was starting to lose their touch on the mic. Not to mention that the hip-hop scene shifted (rapping about Versace and Cristal was the "in" thing) which made Tribe sound a little old.

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Icon: A Tribe Called Quest

By Jeff Chang

If fellow travelers De La Soul were the giddy braniacs and the Jungle Brothers the funky eccentrics, A Tribe Called Quest were the artful romantics of the vanguard Native Tongues hip-hop crew in the mid-'90s. They shared their peers 'taste for conceptually rich work but, unlike De La, they preferred minimalism and, unlike the JB's, they proffered a sound that enfolded the listener (props due to shadow Quest member/studio wizard Bob Power). Because of that,… more »

They Say All Media Guide

With their fourth album Beats, Rhymes and Life, A Tribe Called Quest manages to be one of the few hip-hop acts to successfully age by pushing both their music and their lyrics into new directions. Stylistically, the record is closest to its immediate predecessor, Midnight Marauders, in the sense that the group’s jazz-rap fusion are downplayed and the beat stays surprisingly hard throughout the album. What distinguishes Beats, Rhymes and Life from Marauders is a deeper sense not only of eclectism, but of spirituality and maturity. Shortly before the album was written and recorded, Q-Tip converted to Islam and the religion’s ideals are an undercurrent in nearly every track on the album. But what really stands out is Tip’s unease with the transience of the youth-oriented hip-hop scene and his own urges to settle down. Unlike most rappers, he confronts these feelings in the music, by writing lyrics and helping to create music that illustrates the contradictions of growing old with hip-hop. And by tackling the issue head-on, A Tribe Called Quest sound fresh and suggest that it is possible to sustain a career in rap as you approach a full decade of recording, after all. – Leo Stanley

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