Tunnel Of Love

Rate It! Avg: 4.5 (277 ratings)
ALBUM INFORMATION

Total Tracks: 12   Total Length: 45:51

eMusic Review

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Glenn Kenny

eMusic Contributor

06.30.09
Bruce Springsteen, Tunnel Of Love
1987 | Label: Columbia

There had been quite a few love songs in Springsteen's repertoire before he made this record, but very few in the true first person. Most of them were narrated by his various characters, and you could even argue that the exuberant kid crowing "the record company, Rosie, just gave me a big advance" on E Street Shuffle 's "Rosalita" was a construct of sorts. But here, in the middle of a first marriage that would end in divorce, Springsteen essays a group of songs all about the joys, but mostly sorrows, of emotional commitment and connection — or, more to the point, lack thereof. "I just can't see what a woman like you is doing with me," he sings on "Brilliant Disguise." An insecure Bruce — imagine that. The music is suitably spare. One of Springsteen's most fascinating records.

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underappreciated

Latch

I love this album - top to bottom, this may be my favorite Bruce album, & I'm a huge fan. It's different, so the E St Band diehards may not agree, but this is Bruce the singer/ songwriter at his best. Great songs w/brilliant lyrics about tough subjects.

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truly tougher than the rest

belanger

It's hard to say this album is better than The River or Born to Run, but it is certainly as good. He's never written any better than Cautious Man or Brilliant Disquise and there are several others almost as good. It's not a rockin album for the most part--it is sort of his Blood on the Tracks--sorrowful and deep and as good today as it was when it came out.

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This is the album that made me a Springsteen fan

GIMPFan

I had enjoyed the disc jockey play list of Springsteen's albums for a while, but listening to this album revealed the full artist. This album shows why Springsteen is also one of our best folksingers.

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Personal Favorite

GKH

I won't lie - I hated Tunnel of Love when it was originally released. Gone was the anthemic rock and bombast of Born in the USA; it wasn't as cinematic as Born To Run. In hindsight and with maturity, however, this perhaps one of his most personal and reflective albums. it's easy now to see the turmoil of his marraige in "Brilliant Disguise", "Two Faces" and the title track. Beyond that, though, there are still treasures here such as "Walk Like A Man" and a personal live favorite "Spare Parts". It only gets better with time.

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Underrated

mommax2

Anything that followed Born in the U.S.A. was going to be a commercial disappointment, but this is artistically one of his best. It is uniformly solid, but if you had to pick a couple of songs, Tougher than the Rest & All that Heaven will allow are pretty awesome.

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BRUCE GROWS UP

LeeRocker

TUNNEL OF LOVE may have initially disappointed Bruce fans who were hoping for another Born To Run or The River, but in retrospect, this record has some of his most introspective and moving songs. There is enough of a rocker edge here and there to satisfy the hardcore fans of his early music, but The Boss' meditations on love, loss, and loneliness speak right to all of our broken hearts. The production is lush, layered and restrained...this is a record for late late nights, whether you're alone and trying to make sense of it all or with the one you love and all is right with the world...it will remind you of what's truly precious in this life.

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A close second . . .

downingcr

This is my 2nd favorite after Darkness on the Edge of Town. The lyrics are just as powerful and thought provoking. Some are downright heartbreaking (see BRILLIANT DISGUISE and ONE STEP UP). This was one of the few times where the tour wasn't as good as the album, but its no big deal now. I think these are important songs to listen to if you are thinking about getting into a long term relationship with a significant other. Here, Bruce hints at why love is not something to be entered into lightly.

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Brilliant, Disguising

JasonReeher

Bruce Springsteen threw critics--not to mention the general public-- a curve by following up the anthem-filled Born in the U.S.A. with this quiet masterpiece. No matter; Tunnel of Love is nearly the level of the Boss's signature work. Besides, the entirety of Tunnel is a haunting, loss-of-love song cycle that expands upon the previous LP's "My Hometown." Characters here are looking in fun house mirrors and under pillows for a clue. And when Springsteen sings about waking up in the morning to an empty house with no furnace, you feel just as cold. Tunnel of Love isn't what anyone expected, and that is why it is one of Springsteen's masterworks.

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Springsteen's Best Album

DanielEsq

A brilliant album about the danger and promise of commitment. Get past the first three, relatively lightweight songs, and you find a desperate woman considering awful, violent options ("Spare Parts"), and men in various stages of dispair, anger and resignation about their crumbling relationships and the loss of trust and love ("Two Faces," "Brilliant Disguise," and "One Step Up"), and finally possible redemption in "Valentine's Day." This is a quiet, dangerous album, and it's Bruce Springsteen's best work.

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They Say All Media Guide

Just as he had followed his 1980 commercial breakthrough The River with the challenging Nebraska, Bruce Springsteen followed the most popular album of his career, Born in the U.S.A., with another low-key, anguished effort, Tunnel of Love. Especially in their sound, several of the songs, “Cautious Man” and “Two Faces,” for example, could have fit seamlessly onto Nebraska, though the arrangements overall were not as stripped-down and acoustic as on the earlier album. While Nebraska was filled with songs of economic desperation, however, Tunnel of Love, as its title suggested, was an album of romantic exploration. But the lovers were just as desperate in their way as Nebraska’s small-time criminals. In song after song, Springsteen questioned the trust and honesty on both sides in a romantic relationship, specifically a married relationship. Since Springsteen sounded more autobiographical than ever before (“Ain’t Got You” referred to his popular success, while “Walk Like a Man” seemed another explicit message to his father), it was hard not to wonder about the state of his own two-and-a-half-year marriage, and it wasn’t surprising when that marriage collapsed the following year. Tunnel of Love was not the album that the ten million fans who had bought Born in the U.S.A. as of 1987 were waiting for, and though it topped the charts, sold three million copies, and spawned three Top 40 hits, much of this was on career momentum. Springsteen was as much at a crossroads with his audience as he seemed to be in his work and in his personal life, though this was not immediately apparent. – William Ruhlmann

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