eMusic Review 0
Sandinista! has too much of everything — except the visceral rage that drove the first two albums and hardened the third. It's a warm and loose family affair, rich with eclectic highlights, that drifts along for more than two hours and occasionally dips well below reasonable standards of quality and sense. The stylistic inclusiveness (rap, calypso, rockabilly, Motown, dub, more) foretells Strummer's post-Clash career, but obscures its achievements in the ill-considered surplus. At its best, Sandinista! is a joyful jukebox: music that rollicks and bounces rather than batters. At its worst, it's sodden with filler and unmitigated self-indulgence. After such monuments as “Hitsville U.K.,” “Somebody Got Murdered,” “The Call Up,” “Police on My Back” and “Ivan Meets G.I. Joe,” the Clash all but abandon ship, letting the album sink to “Career Opportunities” sung by children and an instrumental with sheep noises.