Farther Along

Rate It! Avg: 4.0 (18 ratings)
Farther Along album cover
Album Information
  • Artist: The Byrds (See All Albums by The Byrds)
  • Date Released: Feb 22, 2000

  • Genre: Rock/Pop, Style: Rock

  • Label: Columbia/Legacy

Total Tracks: 15   Total Length: 45:13

Write a Review 1 Member Review

Please register before you review a release. Register

user avatar

Underrated

Billenar

This album is hardly given a place in Byrds history but while it isn't the best of the Byrds, it has an awful lot going for it. Anything with Clarence White is good and Roger McGuinn has some good songs here. I have a hard time with Skip Battin but I really enjoy this album.

Recommended Albums

eMusic Features

0

Six Degrees of Person Pitch

By Yancey Strickler, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Six Degrees of Coat of Many Colors

By Yancey Strickler, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

A Field Report from the New Country

By Lenny Kaye, eMusic Contributor

Whither country music - or will it wither? Most of the c&w on strut at the recent CMA awards had more to do with 80's power-rock and 00's teen-pop than the morning farm report. In recent years, an alt-country movement in such Willy-billy suburbs as Brooklyn's Williamsburg has waved a country flag, along with a taste for trucker's caps and Pabst Blue Ribbon. This isn't a sudden outcropping on the range; ever since Gram Parsons… more »

0

Looking Past Hip-Hop: RJD2 and Nobody

By Hua Hsu, eMusic Contributor

One night a few years ago I was zipping through the traffic maze of Los Angeles, on my way to meet the producer Nobody on the occasion of his just-released debut album, Soulmates. He had given me very vague directions, and so the signal strength of KXLU, where he was doing his weekly radio show, helped guide my path. As the static cleared, I grew more confused: what was he playing? Rather than the Project… more »

0

Y Robyn Hitchcock Matters

By Douglas Wolk, eMusic Contributor

I don't know if the Y in Robyn Hitchcock's name was there on his birth certificate, but I can't imagine it spelled "Robin." That Y is the same slightly odd Y that's present in the Byrds, in Syd Barrett and in Bob Dylan - arguably the three biggest historical presences behind his music. He's got an enormous, three-decade-long discography, but the early solo albums that have just come to eMusic include some of the sweetest… more »

0

Behold the Shoes: A Brief History of Shoegaze

By Douglas Wolk, eMusic Contributor

No, it's not a great name: "shoegazing." Very few artists who've actually played in that style like the term; Stuart Braithwaite of Mogwai has called it "a dumb term made up by clueless... idiots... if someone called us shoegazers, I'd be pretty unhappy." The other leading candidate seems to be "dreampop," which is also not quite satisfactory. But we're stuck with those words, because it's undeniable that there's a certain tendency in rock music, especially British… more »

They Say All Music Guide

One thing the Byrds had in common with most of their fans was that they weren’t especially happy with the absurd overproduction that had been inflicted upon Byrdmaniax in their absence. As a response, the group quickly cut Farther Along in 1971, producing the sessions themselves and getting the album into stores a mere six months after its predecessor. It’s certainly a significant improvement, but something short of a triumphant return; the band sounds a bit tired in spots, as if they were starting to run out of gas — which quickly proved to be the case as the Byrds split up a few months after the album’s release. However, Roger McGuinn and Clarence White were nothing if not professionals, and if Farther Along doesn’t always sound inspired, it’s never less than well-played, really connecting when the group can get their enthusiasm up; the tough rockin’ “Tiffany Queen” and the pensive “Bugler” are the late-period Byrds at the top of their game, and “Bristol Steam Convention Blues” features some superb bluegrass picking from White. This is hardly the rousing conclusion the the Byrds’ story that some fans might have hoped for, but it’s a strong and well-crafted set from a band that inarguably gave it their all right up to the finish line. – Mark Deming

more »