Triumph

Rate It! Avg: 4.0 (90 ratings)
ALBUM INFORMATION

Total Tracks: 9   Total Length: 46:30

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They've done better

aluap345

It does have a couple of high points.

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Triumph - The final great Jacksons album

TLJ1960

This album could've been produced by Quincy Jones as well - it featured some musicians that have played on Q's albums in the past, including Jerry Hey, who was Q's arranger for years. Love the entire album, and it showed the direction that Michael was going as well as displayed the songwriting talents of is brothers as well.

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The Jackson Truimph Again!!!

isaacmusicman

Triumph left right off where "Destiny" finished. Not a sorry song in the bunch, and the brothers found their stride here. I only wished that they could have built off this album, but after Micheal released "Off The Wall", and was about to release "Thriller", hey, who could deny Michael for not working with his brothers much longer. He would do one more album with them, and that's it, he would conquer the music world after that. Oh well, Enjoy, you won't be sorry.

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Triumph

EMUSIC-01E52553

Overall this album is not one of the best of Jackson 5 or Michael Jackson in my opinion but it is okay

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They Say All Media Guide

Released during the summer of 1980, just as the hits from Michael’s Off the Wall were sliding off the charts, Triumph became the Jacksons’ first Top Ten pop album since 1972′s Lookin’ Through the Windows. This despite the album-opening “Can You Feel It,” promoted with a spectacle of a video that made the Jacksons into gigantic superheroes capable of transforming bridges into bendable rainbow tubing, stalling at number 77 on the Hot 100. It didn’t make much of an impact on the R&B chart either, but then again, its supernatural anthemic stomp is more a fireworks program finale than something as small scale as a mere single. As on 1978′s Destiny, the Jacksons wrote and produced the material, this time with keyboardist Greg Phillinganes bumped up to associate producer, and with an uptick in star backing — including but not limited to Ronnie Foster, Phil Upchurch, Webster Lewis, Michael Boddicker, and Ollie Brown, as well as Triumph holdovers Michael Sembello, Thomas Washington, and Nathan Watts. The other singles, including “Lovely One” (very nearly “Don’t Stop ‘Til You Get Enough” reheated) and “This Place Hotel” (an elaborate six-minute affair, written and arranged by Michael, that could have easily swollen to greater length) propelled the album into sales greater than that of Destiny, and it’s equally durable (and markedly slicker) all around. – Andy Kellman

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