Street-Legal

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ALBUM INFORMATION

Total Tracks: 9   Total Length: 50:10

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Douglas Wolk

eMusic Contributor

Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

06.30.09
Bob Dylan, Street-Legal
Label: Columbia

Beneath all that bombastic Vegas-style production (saxophones! backup chicks!), there are some spectacular and expansive songs here — Dylan reeling off verse after verse of half-mystical, half-earthbound visions of travel and transcendence like "Changing of the Guards." There's also a curiously nasty, dominant streak of sexuality, especially on the seething blues "New Pony."

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KIll the producer

Operdoc

This would be a great record if it could be reproduced. Get rid of the ridiculous choruses and some of the extraneous noise and this would be considered a classic.

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Dylan's Coolest

pdxbassman

Street legal has some really great bluesy grooves, the song "new pony" is a real stand out. I'm not sure why this album isn't mentioned often as one of his best, to me its pretty obviously so.

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Sony Hmmmm

Beatlenut

Oh yay Sony is here and my dl are reduced to pay for it and i get this. ALBUM UNAVAILABLE FOR DOWNLOAD We're sorry. This album is unavailable for download in your country (New Zealand) at this time. We apologize for any inconvenience this may causes. Yes it does cause me an inconvenience my extra dl.

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They Say All Media Guide

Arriving after the twin peaks of Blood on the Tracks and Desire, Street Legal features a set of songs with no connecting themes, and Bob Dylan replaced the sprawl of the Rolling Thunder Revue with a slick, professional big band featuring a horn section and several backing vocalists. The interesting thing about this 1978 release is that, despite the music and slick production, the songs are as dense as anything Dylan had written since before his motorcycle accident. So, Street Legal becomes an interesting dichotomy: although the arrangements might discourage close listening, the album is filled with songs that deserve attention. And Street Legal is fascinating for just that reason — in another setting, these are songs that would have been hailed as near-masterpieces. Consequentially, it’s not surprising that, while some consider Street Legal a missed opportunity, there are factions of Dylanphiles that find the album worth the time. – Stephen Thomas Erlewine

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