Trouble

Rate It! Avg: 4.5 (1269 ratings)
ALBUM INFORMATION
EDITOR'S PICK
  • Artist: Ray LaMontagne (See All Albums by Ray LaMontagne)
  • Date Released: Aug 15, 2004

  • Genre: Alternative/Punk, Style: Indie Rock, Alternative, Commercial Alternative, Rock

  • Label: RCA Records Label

Total Tracks: 10   Total Length: 44:46

eMusic Review

Avatar Image
Jim Farber

eMusic Contributor

Jim Farber has been writing about music since the Ramones were new. For the last 21 years, he has been chief music critic for the New York Daily News. In additi...more »

06.30.09
A concentrated, achingly understated take on folk-soul
2004 | Label: RCA Records Label

Ray Lamontagne did nothing less than flip the entire script of soul on his first CD. While most of that genre's singers shout to the sky, he spends more time whispering into his chest. On "Trouble," the New Hampshire-based artist broods through the songs, using his potential for rip-roaring screams sparingly, preferring to build anticipation so he doesn't blow all the tension in a yelp.

That approach made Lamontagne stand out from the start. While his nearly autistic style could have seemed stand-offish or self-involved, instead it comes across as generous and intimate. When he sings, you feel as if his psyche is telegraphing its need directly to yours.

It's a place few singers can get to. Which explains why so many critics compared him to artists like Van Morrison, Neil Young, and David Gray — all stars who seem lost in their own worlds.

The material Lamontagne writes intensifies that sense. It's a concentrated, understated take on folk-soul, like Bill Withers with every affect withered.

That's ultimately what makes "Trouble" so startling, and so pure. Lamontagne works hard to erase all the histrionics and artifice from his music. In the end, he doesn't seem to be performing at all, but… read more »

Write a Review22 Member Reviews

Please log in before you review a release. Log in

user avatar

Gritty and elegant all at once

millionmaker1

I'm greatful for LaMontagne for adding soul to the scene.

user avatar

Instant Classic

KazelB

First singer-songwriter album in a long while that really "stoned me to my soul," where I can listen and enjoy this album on repeat for hours. It has the same play, and re-play, -ability of Van Morrison's Moondance.

user avatar

Insurance Ad

misterpv

I am sad to admit that I came across this wonderful album through a Traveler's Insurance ad during the PGA Championship. Well, I guess the campaign worked more for Ray than Traveler's (smile)!

user avatar

Who Mr. Jones wants to be

5from2

Didn't know much of Ray other than what I had heard on the radio. But even the radio "hits" have enough mystery in them to let you know that this guy is no ordinary musician. It has been pointed out that Ray's voice is the centerpiece of this record. That is true. In fact, Ray is not afraid to let his voice outshine the instrumentation (as sparse as it is on several tracks). Something of a cross between Greg Allman and Bob Mould, Ray Lamontagne is who Mr. Jones wants to be: "someone just a little bit more funky than Bob Dylan." Highly recommended.

user avatar

easy listening, but not Easy Listening

KevMc

I like this album. I think I would get tired of his voice with several of his records, though. Good songwriting.

user avatar

Simmering brood

Roeffer

Ray LaMontagne didn't whip this up in a few minutes to be wolfed down like a burger. You should prepare to remove distractions and concentrate and enjoy the nuances in order to appreciate what's here. Much of the album has that slow, final song after last call at your favorite tavern feeling. Everyone here has commented on his voice. To not do so would be negligent. There is an incredible amount of emotion and careful phrasing in every song.

user avatar

Great music.

schrader07

This is one of the best albums i've ever had the pleasure of listening to.

user avatar

This is a fine, fine album...period.

SDez

Every track...I mean EVERY track is an absolute gem. There is so much genuine emotion in this gentleman's voice...he sings as if his life depends on it. The instrumental backing is minimal yet powerful. Some people compare him to Van Morrison, but I also hear touches of Cat Stevens & Elton John in some of his tunes. But what it really comes down to is that VOICE. That marvelous, haunting voice. I've never heard anyone sing like this before...soulful with a capital S. Download the whole album...you will not regret it...

user avatar

Love his voice!

nicandry

I've been waiting for emusic to finally have Ray LaMontagne's music available and I'm not disappointed with this purchase. He has a fabulous voice and i love this album!

user avatar

just love this album

naidre

i just really love this album, i love his voice and his sentiment. listen to it over and over- what can i say???

Recommended Albums

eMusic Features

Righteous Babe Radio

By eMusic Editorial Staff

The office folks at Righteous Babe Records put this playlist together for eMusic. It has some choice songs from the Righteous Babe catalog but also some friends, openers and influencers we either work with or just plain like to play. Hope you enjoy! more »

They Say All Media Guide

The best songs on Trouble, the debut release from songwriter Ray LaMontagne, draw on deep wells of emotion, and with LaMontagne’s sandpapery voice, which recalls a gruffer, more sedate version of Tim Buckley or an American version of Van Morrison, they seem to belie his years. The title tune, “Trouble,” is an instant classic, sparse and maudlin (in the best sense), and songs like “Narrow Escape,” a ragged, episodic waltz, are equally impressive, with careful, cinematic lyrics that tell believable stories of wounded-hearted refugees on the hard road of life and love. Most of the tracks fall into a midtempo shuffle rhythm, so the words have to carry a lot in order to avert a sort of dull sameness, and when it works, it works big, and when it doesn’t, well, LaMontagne is so serious and sincere about his craft that you tend to forgive him instantly. Sara Watkins of Nickel Creek guests on “Hannah” and the sad, somber lullaby “All the Wild Horses,” playing fiddle and adding vocals, and producer Ethan Johns adds drums and other touches on most tracks. The sound is measured and sparse, with few frills (a five-piece string section is used on a few tracks, but is never intrusive), all of which supports the emotional urgency of LaMontagne’s writing. “How Come” sounds a bit like a rewrite of Dave Mason’s “Feelin’ Alright,” and a couple of other cuts seem a bit labored, but overall this is an impressive debut by an extremely special songwriter. – Steve Leggett

more »