Heathen

Rate It! Avg: 4.0 (159 ratings)
ALBUM INFORMATION
  • Artist: David Bowie (See All Albums by David Bowie)
  • Date Released: Jun 11, 2002

  • Genre: Rock/Pop, Style: Rock

  • Label: Iso/Columbia

Total Tracks: 12   Total Length: 51:37

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Satisfies

EMUSIC-00D69391

One of the more satisfying bowie albums from the last decade. Sweet cover of the Pixies Cactus. Try 5:15 the angels have gone on for size.

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A Place to Live

EMUSIC-0085D9DB

Bowie as a New Yorker--you can hear it in the background on "Reality," too. Bowie as a grown-up. If you like Bowie when he's wide-awake realistic and a little sad, this is unmissable.

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disappointing

Darthmatt4182

I really enjoyed this decade for a lot of "classic rock/pop" artists - Neil Young, John Mellencamp and a few other well-established bands have put out some superb material. This album, to me as a casual but open-minded Bowie listener, is too dull. Most of the songs lack memorable melodies, the production is sub-par at times, and he just doesn't sound very into it. Even the songs Bowie really tries one, like "Slip Away" are just painful because I have no idea who Uncle Floyd is and the line itself just sounds out of place. I will try other recent Bowie albums, but this one's more or less a bust. The worst Neil Young album has more memorable tracks than this one.

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Enjoyment grows

letsdance

This Bowie album is a great one for driving around. It's a fun listen. His versions of Slow Burn and Cactus are great. I Took A Trip On A Gemini Spaceship is a re-recording of a Norman Carl Odam (aka The Legendary Stardust Cowboy). This is the artist who inspired the name Ziggy Stardust!

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Give it a long listen

sportster1200

It will grow on you. Cactus is a great cut.

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Post-Millenium Bowie

johnp0404

A good record throughout. I saw Bowie live in 2003, about a year after this was released. He was in top notch form at MSG. He was performing some of his newer songs live, and they held up well against his older classics. My faves here are the intense Slow Burn and the nostaligic Slip Away (the latter song a funny and sad tribute to the Uncle Floyd Show, the best TV show ever, who I watched daily on Channel 68 out of Newark NJ back in the day. No doubt that Bowie was watching too!).

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Very wise...

Kx4Bliss

...to have Kristeen Young on board for a fresh flavor to Bowies patented sound.

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ONE OF THE BEST

geeterstrings

Bowie kicks it into gear on this CD. His voice is at an all time high and the choice of music and musicians are superb. Not since the "Station to Station" has he release such drama filled music. Check out "Slow Burn" it is a masterpiece in songwriting and his cover of "Cactus" is really good. His band is top notch as well. Gary Leonard and Carlos Alomar along with Sterling Campbell punch this baby along. And most exciting is Peter Townsend on "Slow Burn" is epic.

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???¿De qu???© se trata?

Chopoman

Estoy muy decepcionado de e-music. Hacen ajustes que encarecen la musica y despues llenan de excelentes productos que no se pueden descargar "en mi pai­s". Francamente me siento impelido a cancelar mi suscripcion despues de 7 anios.

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They Say All Media Guide

Heathen marks a new beginning for David Bowie in some ways — it’s his first record since leaving Virgin, his first for Columbia Records, his first for his new label, ISO — yet it’s hardly a new musical direction. Like Hours, this finds Bowie sifting through the sounds of his past, completely at ease with his legacy, crafting a colorful, satisfying album that feels like a classic Bowie album. That’s not to say that Heathen recalls any particular album or any era in specific, yet there’s a deliberate attempt to recapture the atmosphere, the tone of his ’70s work — there’s a reason that Bowie decided to reteam with Tony Visconti, the co-producer of some of his best records, for this album — even if direct comparisons are hard to come by. Which is exactly what’s so impressive about this album. Bowie and Visconti never shy away from electronic instrumentations or modern production — if anything, they embrace it — but it’s woven into Bowie’s sound subtly, never drawing attention to the drum loops, guitar synths, and washes of electronica. For that matter, guest spots by Dave Grohl and Pete Townshend (both on guitar) don’t stand out either; they’re merely added texture to this an album that’s intricately layered, but always plays smoothly and alluringly. And, make no mistake, this is an alluring, welcoming, friendly album — there are some moody moments, but Bowie takes Neil Young’s eerie “I’ve Been Waiting for You” and Pixies’ elusively brutal, creepy “Cactus” and turns them sweet, which isn’t necessarily a bad thing, either. In the end, that’s the key to Heathen — the undercurrent of happiness, not in the lyrics, but in the making of music, a realization by Bowie and Visconti alike that they are perfect collaborators. Unlike their previous albums together, this doesn’t boldly break new ground, but that’s because, 22 years after their last collaboration, Scary Monsters, both Bowie and Visconti don’t need to try as hard, so they just focus on the craft. The result is an understated, utterly satisfying record, his best since Scary Monsters, simply because he’d never sounded as assured and consistent since. – Stephen Thomas Erlewine

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