March Or Die

Rate It! Avg: 4.0 (25 ratings)
ALBUM INFORMATION

Total Tracks: 11   Total Length: 46:46

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It takes a forced march to get to the end of it

Trollsmacker

I'm a Motorhead fan, but this album was a great disappointment. This, fortunately, was not a case of a band falling off a cliff and never soaring again. But it was a disappointing creative stall from a relentless and still relevant band. Skip this one--there are too many other good Motorhead albums to settle for this inferior offering, including many albums that followed this.

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A Hair-Metal Motörhead!?

TheAccuser

Motörhead with TWO guitarists is always a bit tricky--their strength lies in their simple formula, streamlined for maximum efficiency in delivering near-fatal rock/metal. Not that I blame them for wanting to mix things up a bit, but after these kinds of experiments with longer, slower, somewhat more complex songs, they always go back to what they do best: Kicking ass at high speed without distraction. This isn't a bad album, but it does sound a bit like Lemmy fronting a hair-metal band, what with all the widdly extra soloing and stuff.

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They Say All Media Guide

The year 1992 seemed to be a time of accessibility for veteran heavy metallurgists. Lemmy Kilmister and his hoary band of rockers Motörhead remained as dependable as ever on their 15th outing, March ör Die. The original punk metal fusion band (going back to 1977) continued to play it raw as sushi. But, like many old-time noise-mongers, Motörhead came out in the summer of 1992 with their most user-friendly and well-produced work to date. The toned-down fury even allowed for an emotive ballad duet with Ozzy Osbourne on “I Ain’t No Nice Guy,” with guest guitar courtesy of Slash from Guns N’ Roses. Despite such attempts at broader radio-ready appeal, the piledriving “Name in Vain,” a bulldozer cover of Ted Nugent’s “Cat Scratch Fever,” and the title track’s ominous death metal rap were still aimed at pleasing the hardcore following. – Roch Parisien

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