Those Darlins

Rate It! Avg: 4.0 (124 ratings)

We’re sorry. This album is unavailable for download in your country (United States) at this time.

ALBUM INFORMATION

Total Tracks: 12   Total Length: 35:26

eMusic Review

Avatar Image
Peter Blackstock

eMusic Contributor

07.06.09
Punk 'n' country done right by three Tennessee gals
Label: Oh Wow Dang Records / Thirty Tigers

If, at one point, the notion of combining country traditionalism with punk-rock energy was a novel concept, it's been done often enough over the last three decades that there's no longer any shock-value in the juxtaposition. Nowadays, it's just another perfectly viable mutt-like subgenre; whether it works depends on the craft and creativity of those who are playing it. In the case of Those Darlins, three twentysomething women from Murfreesboro, Tennessee, the results are plenty positive. This self-titled debut album trends toward their acoustic inclinations, with tunes such as "Mama's Heart," "The Whole Damn Thing" and "Glass to You" relying primarily on the trio's core instrumentation of guitar, bass and ukulele. (Producer/player Jeff Curtin fills things out throughout with varying degrees of drums, keyboards, and even theremin.) The girls are equally comfortable cranking up the electricity, most notably on the leadoff track "Red Light Love," which blazes and thumps with an intensity reminiscent of the Ramones or classic X. Three cover tunes — two from the Carter Family songbook, one from Uncle Dave Macon — establish historical reference-points without dragging the group's sonic identity into retro rehash; on the contrary, the covers are among the most musically adventurous… read more »

Write a Review2 Member Reviews

Please log in before you review a release. Log in

user avatar

Good but not quite great ...

predsrule

Those Darlins hail from my hometown, and I've had the pleasure of seeing them live. The record does capture part of their spirit, but the full cowpunk doesn't really shine through on the recordings as it does in a venue. That said, it's a great start for a band destined for bigger and better things.

user avatar

a fine album

KfuMike

sounds like Tegan and Sara doing country versions of Nancy Sinatra songs...fun

Recommended Albums

They Say All Media Guide

To get a good sense on what Those Darlins are all about simply listen to “Wild One,” the second track on their rip-roaring self-titled debut. The three Darlins girls pretty much sum up their musical personas when they sing that, “if you can’t handle crazy, then go ahead and leave/if you don’t want a wild one, don’t hang around with me.” Even if the song isn’t autobiographical, it speaks to the trio’s devilish nature. The Tennessee-based band borrows punk’s unbridled attitude and transports it to rural mountain music. It’s not a new idea. Listening to this disc, you can hear echoes of the Knitters, the Waco Brothers and their ‘90s-era Bloodshot Records brethren (like the Meat Purveyors, Moonshine Willy, and Split Lip Rayfield). However, Those Darlins definitely bring a refreshing spiritedness to their raucous merger of punk and country. On songs like “Wild One,” “DUI or Die,” “Glass to You,” “222,” and “Hung Up on Me,” they cultivate a bad girl image filled with drinking and partying that fits in with their revved-up punkabilly. It also connects them to the tough chick girls groups of the early ‘60s — a link that also surfaces in their arrangements. A Farfisa-ish organ line pops up in “Hung Up on Me” and an R&B saxophone punctuates “Snaggle Tooth Mama,” while “DUI or Die” gives a garage-twang spin to the old “Dead Man’s Curve”-style songs. These musical embellishments show that the women have more on their minds than simply bashing out some country punk tunes. They add a number of strong musical touches to flesh out their songs. Countrypolitian strings and horns are embedded into the tough but tender-hearted “Mama Heart” and the trio shows off some inventive vocalizing in “222″ and “Cannonball Blues.” The latter tune is one of the two A.P. Carter songs on this album (the other being “Who’s That Knockin’ at My Window?”), with their third cover tune being Uncle Dave Macon’s “Keep My Skillet Good and Greasy.” It would have been easy for them to play this all for cowpunk laughs — the three women have assumed “Darlin” as their surnames — but these cover choices underscore the fact that the women have a knowledge of, and respect for, country music’s past. Smartly balancing raw punkabilly and traditional country with just enough sophistication, Those Darlins have crafted one firecracker of a debut. – Michael Berick

more »