41

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ALBUM INFORMATION

Total Tracks: 13   Total Length: 53:54

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Pure genius is hard to find

markco1

This is another one of those gems that got lost in my college days. I used to skip over a bunch of tracks back then; listening now I realize this album is a concept record. It is relationship argument that is bookended by sound of doors shutting. The track "Lyrics" is a reciting of the songs while riding a subway. In the past I would have skipped over this and I defiantly missed the story line, now these tracks seem essential like two ends of a bow. This is a piece of art, not like a fragile vase but like a Jackson Pollack painting with organized chaos. I love the drums in this album they are very raw, the acoustic guitar keeps the rhythm the drums almost accent the guitar and are a bit off the beat. I think another brilliant quality is that it is not over produced; In "Kinda Stoned" you can hear light breathing and a foot lightly tap where the band stops playing. Overall this is one of the best records I have ever owned I am so glad that it found me again

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They Say All Media Guide

Swell are swell on this third full-length release. They’re a moody, eclectic, folky, and esoteric San Francisco foursome, who mine the same vein in every song, utilizing the reedy, calm, vocals, and constantly strummed acoustic of David Freel into mesmerizing results. It’s a smooth, quiet ride until a jolting power chord snaps you out of your lull, seemingly out of nowhere. Combine this with soaring, electric slide guitar that offsets the melodies and subtle hooks, as well as Sean Kirkpatrick’s creative collage of drum fills and syncopation, rather than straight beats — a territory Stephen Morris of Joy Division adapted to their rigid sound, mixed with Stewart Copeland’s style and hi-hat flourishes. 41 is existential slacker-rock. – Jack Rabid

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