TP

Rate It! Avg: 4.0 (27 ratings)
ALBUM INFORMATION

Total Tracks: 8   Total Length: 39:12

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TP = Superstar In Transition

CJ_Blk

With the supernova that was Teddy P burning high in the sky this album of attempts to experiment with more production and songwriting outside of the Gamble & Huff combination lacked alot of the crackle and energy of his previous efforts. The Peabo Bryson penned duet with Stephanie Mills ("Feel The Fire" and yet another classic mid-tempo groover ("Love T.K.O.) rescues a project of mostly forgetable productions.

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Could Not Be Stopped!!!

isaacmusicman

Teddy was flying high and it didn't stop with this album. Teddy was ready to spread his wings from under Gamble & Huff, not leaving them out completely, just working with other producers and even trying to produce himself. His ambitions paid off especially with the classic "Love TKO",which has been sampled over and over again. Things would change drastically after this but not because of his talent. Once again, another classic!!!

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They Say All Media Guide

Teddy Pendergrass was near, if not at, the pinnacle of a prosperous music career upon this album’s release, which spawned two Top Ten singles. “Can’t We Try,” with its tender introduction, slowly builds into a dramatic vamp in which Pendergrass’ domineering baritone clinches each lyric with absolute conviction — an awesome display of vocal power and control. The compassionate number peaked at number three on the Billboard R&B charts after 16 weeks. Pendergrass did not lose any steam on the charts. The follow-up single, “Love T.K.O.,” came strong. His testimonial lead carried this crafty number to the second position on the charts, holding down that slot for five consecutive weeks before bowing after 18 weeks. However, the best track on this album is the duet with Stephanie Mills; “Feel the Fire,” penned by Peabo Bryson, rings with passion and sensuality. Pendergrass and Mills’ vocals strikingly contrast each other in an admirable way. The song was never a release, but remains a constant on Quiet Storm formats. On a few numbers, such as the Ashford & Simpson remake “Is It Still Good to Ya,” Pendergrass labors through the verses, struggling to find his form. Though a great song, it does very little for the former Blue Note. Notwithstanding, there are quite a few gems here. – Craig Lytle

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