The Earth Is Not a Cold Dead Place

Rate It! Avg: 4.5 (475 ratings)
ALBUM INFORMATION

Total Tracks: 5   Total Length: 45:38

eMusic Review

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Amelia Raitt

eMusic Contributor

Amelia Raitt is a former writer for the television program Mr. Belvedere and has been writing about pop music of all colors and stripes for eMusic since 2005. S...more »

07.22.09
Explosions In The Sky, The Earth Is Not a Cold Dead Place
Label: Temporary Residence Ltd. / SC Distribution

et 'em up, knock 'em down. If what Explosions in the Sky do is so easy, though, why haven't there been a raft of imitators cashing in on crescendo-core? Here's a thought: it ain't that easy after all. Despite what sounds like an endless build-to-ecstatic-release formula, EITS's The Earth Is Not a Cold Dead Place is a masterpiece of restraint and, believe it or not, subtlety.

Whereas on the group's second album, Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever, the quartet seemed to be racing headlong towards the pay-off, on The Earth the group is content to wander a bit, survey the terrain and come at those celebratory moments from odder angles. "Your Hand in Mine" and "Six Days at the Bottom of the Ocean" almost glide in parts, their themes rolling along a manner that might be described as funky (a term that can only be brought out here because the rest of The Earth is so unrelentingly stiff). And the first section of "First Breath After Coma" doesn't even have that moment where everything seems to explode at once.

The EITS boys are hyper-aware of their shtick and are just as interested… read more »

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Hyper-Dynamic, Instrumental Masterpiece

Blackbeardo

This is where anyone curious about Explosions in the Sky should start - it may only be 5 tracks, but they are epic enough to warrant the 12 downloads it will cost you. The most amazing thing about this record is how imagisitic and narrative it is. This is highly recommended for fans of Slint, Rachel's, Tortoise, and Tarentel. Excellent.

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Aargh.

robotclam

Have to say, I'm getting really tired of the narcissistic little doodleheads infesting the review pages complaining about paying 12 credits to download an album. I would just ask: do you think it might be okay for the artists to actually get PAID a decent living wage once in a while? That would actually be a cool incentive for them to continue to make the music that you so greedily consume. And, by the way, it costs money to run emusic too. Or did you think the staff worked just for the love of music? At the end of the day, whatever pricing plan you're on, 12 credits is significantly less than you would expect to pay in a record store or on itunes or Amazon. So, please, I'm BEGGING: get a job, move out of your parents' house, and SHUT UP. By the way, this is a gorgeous album.

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A Glorious Anthem

theboldbrew

A great album to close your eyes and soar off into another world. On an album without words, Explosions in the Sky is speaking volumes worth listening to. It doesn't get old or lose its luster.

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I could listen to this everyday.

DPLeMUSIC

In fact, for a while I did-- in the car, at work, on a hike, in the kitchen, going to sleep -- this music adds a touch of emotion to any boring day and makes living exciting.

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I like it alot

ritta69

A friend from work gave me a song from this album (the first track) and I thought it was awesome. So, when I downloaded this album, I found that I like the rest of the album. Also downloaded How Strange, Innocence. I really like ambient and mellow instrumental indie-rock by bands like Mogwai and Godspeed You! Black Emperor. At times I have felt Explosions in the Sky are a bit of a Mogwai rip-off, but I like them nonetheless or maybe because of that.

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Best of the Best From the Best

bezzantine

I've bought a whole lot of post-rock in the past five years since discovering it. This album is the one that got me started, and it's still the best. The songs are soaring, wrenching, and everything in between. The music is uniquely intense, and varied enough to avoid the monotony that too many post-rock bands drop into.

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Seconding the 12 song bullshit issue

whenelvisdied

I grabbed this months ago, but with emusic's new pricing plan, if I want to download it again (and why should I have to anyway?!?!) it will cost me 12 credits instead of 5. It's such a great album, so it's a shame for emusic to make it seem unaffordable.

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They Say All Media Guide

Explosions in the Sky’s second effort takes a more studied, even lush approach to the literate chaos of their 2001 debut. But put on your sad sack thinking cap now, because Earth Is Not a Cold Dead Place is a contemplative and heady rush of masterful melancholia. Its six songs are multi-minute, slow motion workouts of gentle electric guitar plucks and subtle/sudden washes of percussion — they’re still instrumental, but as lyrical as anything in the indie rock universe. “Only Moment We Were Alone” turns on a simple, melancholy guitar figure, the drums shifting from insistent catch-up mode to a studied march built to introduce the next layered crescendo. Explosions in the Sky doesn’t shift as suddenly or jarringly on Earth Is Not a Cold Dead Place; the quartet has applied more structural predictability this time out, but is still quick about setting the sad butterflies in your stomach to fluttering. “Memorial” is the album’s meditative heart. It begins so quietly, reduced to brittle landscapes of tone. Lightly chiming guitars drift in, like the echoes of church bells off in narrow city streets. Then, like each of the album’s movements, it surges forward in a rush, like the overtures of Sonic Youth separated, dried, and ultimately lengthened in the blistering Texas sun. The final blast of distortion and staccato drumming is Earth at full bittersweet bluster. “Your Hand in Mine” ends things as they began, with a pair of determined guitars picking out a melody that’s both pretty and pretty damn heartbreaking. – Johnny Loftus

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