Maranatha

Rate It! Avg: 3.5 (64 ratings)
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Total Tracks: 8   Total Length: 53:39

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Lenny Kaye

eMusic Contributor

As musician, writer, and producer, Lenny Kaye is intimately involved with the creative impulse. He has been a guitarist for poet-rocker Patti Smith since her ba...more »

08.28.09
The most evil, original, and unpredictable metal record of the year
2009 | Label: Norma Evangelium Diaboli / The Orchard

These are the fears that haunt mankind: that you will grip the hand of a winged angel and have it turn into a cloven hoof. That plague will decimate and desolate, so that there is no distinction between the living and the dead. That the long-awaited follow-up to an epic meisterwork will not be regarded as a bold step forward by one of black metal's most alchemical practitioners.

The release of Maranatha, Funeral Mist's second full-length effort, following 2003's highly-regarded Salvation, has generated some controversy among the aficionados of black-is-black, for yea, it does contain glimmers of the dreaded white. The group's leader (and now, apparently, sole member) is Daniel Rosten, who founded the group in Stockholm in the mid-90's. Singing under the name of Arioch, playing all the instruments but drums (the percussionist is anonymous — rhymes with hieronymous), it features his unbelievably cratered voice, that Marduk has begun to make spectral use of in the last half-decade; but here is given free rein to create symphonic Biblikal schisms that echo not the faux-classical decoratives that haunt the frontier of black metal as it meets prog-rock. Arioch/Daniel draws instead from a rockist tradition, riffs bone-solid and relentless, and on a… read more »

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Not very good

dropdeadfred

I hate to disagree but this is not that good of album. Sure it is brutal but nothing to get excited about that is for sure. I am so glad there are sites you can stream before you buy I would have really been pissed to Spend 12 downloads for this one.

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WTF Is Wrong With You People?!

TheAccuser

At the time I DL'ed this, it was rated an average score of 2.5 out of 36 ratings. This is unacceptable, guys. Yes, it kinda sucks that it costs 12 credits instead of 8 just 'cuz one song goes over ten minutes, but it's totally worth it. This makes an excellent companion album to the last two Marduk albums, and not just because they share the same vocalist. There's a similar mindset at work: pitch-black nihilism and soul-corroding hate expressed through of framework of fairly orthodox yet varied and interesting black metal.

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They Say All Media Guide

Funeral Mist is the solo project of Daniel Rosten (aka Mortuus/Arioch), current vocalist of Marduk. And quite frankly, Maranatha is a more impressive album than anything Marduk’s released in years. All the lyrical and sonic aggression that thrills fans of the genre and repels outsiders is amply present, but there’s a level of thought at work that’s impressive no matter what your primary musical tastes may be. Like Deathspell Omega, Blut Aus Nord, and other adventurous black metal acts, Rosten has put serious thought into his message — it’s much more than rote Christian-bashing, and the music reflects that. The use of sampled sermons, movie dialogue, and choirs on tracks like “Sword of Faith” and “A New Light” extend the genre’s vocabulary in predictable but still exciting ways, while almost psychedelic guitar tones emerge midway through the eight-minute “Jesus Saves!,” briefly turning that song into an inward journey rather than the headlong assault of much of the rest of the album. Throughout Maranatha, Rosten takes multiple rhythmic approaches as well, slowing to a midtempo crawl on “Blessed Curse” and battering the listener relentlessly on “Living Temples” — a song that begins with a long inhalation of breath, as though he’s preparing for a sprint. Rosten sings in a manner reminiscent of Laibach’s Milan Fras, spicing it up with choking, barking, and other throat noises that make him seem both more and less than human. He also plays all the instruments except the drums, which are uncredited — a shame, given the quality of the performance. Taken all together, this is an album that could restore a listener’s faith in the possibilities of black metal. – Phil Freeman

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