Habeas Corpus

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Habeas Corpus album cover
Album Information

Total Tracks: 11   Total Length: 39:59

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Christopher R. Weingarten

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Christopher R. Weingarten is a freelance music writer living in Brooklyn, whose work can currently be seen in The Village Voice, Spin, Revolver, NYLON, and much...more »

09.21.09
Fighting guns, greed and the government with Jagger swagger and enormous hooks
2009 | Label: Jive

Fiercely political St. Louis alt-rockers Living Things hate guns, greed and the government, and they're fighting the world with the only weapons they have: enormous hooks and a sexy, Jaggerian swagger. Their critically-adored 2005 debut, the Albini-produced Ahead Of The Lions, was closer to the unwashed garage rock of the time, perfectly matching toothy sentiments like "No solution! Just bombs below!" Follow-up Habeas Corpus is a slicker, mechanical robo-rock affair, polished to a perfect shine in the same Berlin studio where David Bowie recorded Heroes. Living Things are still just as rabble-rousing, but they've pulled an Against Me!, turning their rhetoric into the biggest, baddest pop songs possible. Zeroing in on the dread of post-market-crash America, Living Things respond with explosive, danceable indie-pop — bassist Eve Berlin calls it "our own version of soul music." Frontman Lilliam Berlin is full of crypto-ironic venom, turning dance-punk jam "Mercedes Marxist" into a bittersweet party (I want a big car! Like the kind the gangstas ride!") and drolly doomsdaying in "Post Millenial Extinction Blues" ("It ain't cliché, darling, to say you want a revolution"). Ultimately their mix of sloganeering and pop gloss makes them a sexier version of Street Sweeper Social Club —… read more »

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almost there

JandtheBoingers

Oxygen is a rockin' track that seizes what it is these guys are trying to do, and I love it. Unfortunately, the other tracks don't quite measure up. It sounds like their next record could be a big one.

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They Say All Music Guide

Living Things’ 2005 debut, Ahead of the Lions, was tough, aggressive hard punk produced by that avatar of indie cred Steve Albini, but the band decided to get ironic and Eurotrashy for its second album, Habeas Corpus — a sound that doesn’t quite fit with the album’s stated attempt to chronicle Americana “from St. Louis through Chicago, New York City and London,” but fits the group better anyway. Living Things’ political sloganeering is buried underneath hip retro synths, stomping glam beats cut up on a computer, and straightened-out sleaze rock — all cut with a bit of a narcotic hazy drone. It’s trashy punk that trivializes anything it touches — but the record amounts to a guilty pleasure for a time when nobody feels any guilt about anything. – Stephen Thomas Erlewine

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