Rewolf

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Rewolf album cover
Album Information

Total Tracks: 10   Total Length: 34:45

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Vijith Assar

eMusic Contributor

Vijith Assar is a music critic and alleged journalist who has inexplicably been published by the Village Voice, New York Magazine, Tape Op, Rolling Stone, and M...more »

11.09.09
The pedal-happy shoegaze-pop band goes acoustic with startlingly pretty results
Label: Polyvinyl Records

You might think that an acoustic album would make for a challenging project with a pedal-happy shoegaze band like Asobi Seksu, but the most surprising thing about Rewolf is the strength with which their songs translate. The unplugged guitars probably aren't as important as the missing personalities: with the touring lineup left behind, core members Yuki Chikudate and James Hanna have a lot more canvas across which to paint their surrealist watercolor keyboard washes and twinkling, fingerpicked guitars which, now entirely buzz-free, recall in equal parts Joni Mitchell and Vashti Bunyan.

"New Years," no longer anchored by the drums and arguably one of the only songs here that doesn't definitively trump the original full-band version, instead just drifts off on a hazy cloud of whimsy that starts making funny impressionistic shapes by the time it gets to "Urusai Tori." Meanwhile, "Suzanne" is a by-the-numbers cover of the song from former Mazzy Star lead singer Hope Sandoval's 2001 solo debut — at least until it decides to trade in the original harmonica part for a synthesizer, after which point it might actually sound even more fragile than the original. That, like all the other meticulously translated details here, is quite… read more »

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sammycat

Asobi Seksu's studio albums were, well, loud. But their "live" sessions tended towards softer acoustic sounds, highlighting some really good songs buried under all that sweet noise. Now you can get stripped down versions of some of their best songs in this official(sort of) album. Don't let that stop you from tracking down their other acoustic sessions, though.

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They Say All Music Guide

Asobi Seksu’s fourth album, Rewolf is another step away from the bright and bubbly dream/shoegaze pop they started off playing on their first two albums. Combining the feather-light vocals of Yuki Chikudate, the alternately shimmering and grinding guitars of James Hanna, and a fine ability to craft songs with both sonic and melodic hooks, the band seemed set to redefine both dream pop and shoegaze for a new generation of the genres’ fans. Instead, Asobi Seksu reinvented themselves on Hush, stripping away most of the guitars and replacing them with icy synths and lush arrangements. The songs, too, were cold and restrained; most of the color the band had splashed on its songs was drained away and replaced with gloomy shades of gray. The reimagining of the Asobi Seksu sound was a dramatic effort and, for the most part, it worked well. Rewolf takes the stripping-down process even further, all the way down to acoustic guitars, glockenspiels, and toy pianos. Recorded at the famed Olympic Studios in London mere months before it was shuttered, the album is an acoustic stroll through the band’s back catalog, along with a cover of Hope Sandoval’s “Suzanne.” – Tim Sendra

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