The Way I See It

Rate It! Avg: 4.5 (284 ratings)
ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 13   Total Length: 42:10

Write a Review10 Member Reviews

Please log in before you review a release. Log in

user avatar

Blown away

OldSchool2000

I'm not much of a soul fan, but the strength and passion of Saadiq's voice and compositions won me over. There's quite a movement in old-school soul afoot.

user avatar

Vintage contemporary

tgreenin

Raphael Saadiq is a unique artist who somehow manages to sound completely contemporary within a classic soul sound. His voice wins the day, and the performances and production on this album both echo the Motown sound and advance it.

user avatar

Oh Yea!

prazenhymn

Bump and grind, red light in the basement sound. With me being a product of the sixties and knowing that Raphael wasn't there in person kind of throws me off because it sounds as if he were. Loving it man!!!

user avatar

I felt like I was in a time machine

TLJ1960

If I didn't know better I thought I was listening to a Motown album that was on the shelf for 30 years. This is what R&B should sound. Download the whole damn thing and leave the track with Jay-Z out.

user avatar

60's Motown Pop

Extol-Christ

Saadiq is more Smokey than Marvin on The Way I See it, so if slick R&B pop love songs circa the 60's is your pleasure, this platter will satisfy you. If you want something a little deeper, you won't find it here. I do like "Never Give You Up" and "Just One Kiss." Saadiq is smart enough to give guest spots on his best songs.

user avatar

Everything old....

avantgardner

Fabulous new feel with that old vintage 60's/70's soul. Actually feels like older songs that you somehow missed along the way. A wonderfully groovy spin.

user avatar

Yeah!!!!!

isaacmusicman

You know, there are just some artist to me that can do no wrong. Raphael Saadiq is one of those artist. Now don't get me wrong, he's not the perfect artist, but you know what, that's what makes him, him. This album just cuts to the chase, not just of his influences, but into the artist himself. Every song is a killer, and it's no wonder why other artists always come to him for his producing touch. You may hate that he may never get back with the Tonnies, but almost after 20 years, it's just safe to say that he can carry out on his own.

user avatar

Worth the Wait

Snooges

I've been waiting for Emusic to get this ... and finally, it is here! And yes, it was worth the wait. If you like classic soul, neo-soul, that Motown sound, then download some of these tracks. 2,4,7,10 are my current top picks.

user avatar

SAADIQ!

arpad

DL tracks 1 2 3 4 6 7 11 Hell it's all pretty great except for the Jay-Z verse is a little weak. For fans of Smokey Robinson, Holland Dozier Holland, Stevie Wonder (who's on track 11). Hail hail rock n roll!

Recommended Albums

eMusic Features

An eMusic Guide to South By Southwest 2011

By eMusic Editorial Staff

It's nearly upon us: South By Southwest, the annual exhilarating and crazy-making music festival that threatens to destroy even as it excites. Every year, hundreds of bands converge on Austin, Texas, each of them vying for audience attention and a small bit of that ever-elusive buzz. Trying to make sense of it all is enough to lay a person flat-out, exhausted. Don't let it come to that: Here are our picks for the 35 up-and-comers… more »

They Say All Media Guide

When Raphael Saadiq, along with his partners in Tony! Toni! TonĂ©!, wrote and recorded songs like “It Never Rains in Southern California” and “Whatever You Want,” he earned himself a lifetime “Do Whatever You Want” card. One could disregard his third solo studio album for being the equivalent of a Civil War reenactment, sounding much more like “instant vintage” R&B than 2002′s Instant Vintage. If you want to listen to some ’60s and early-’70s soul, play some soul that came out in the ’60s and early ’70s, right? Save for an intrusive Jay-Z appearance on a bonus version of “Oh Girl,” however, this time warp never loosens its grip, unless you cannot help but position the protagonist in “Big Easy” — where Saadiq nails a classic tactic exemplified by the likes of Holland-Dozier-Holland, matching bliss-inducing music with saddening lyrics — squarely within 2005 New Orleans. (“They say them levees broke, and my baby’s gone.”) Saadiq, with the occasional assist, wrote each song, and they’re all graced with the songwriting, arranging, and production touches of the recordings the man evidently cherishes and knows inside out. Here’s where a modern master, backed by living and breathing session musicians (including Funk Brother Jack Ashford), masters the masters with startling accuracy. – Andy Kellman

more »