Remain In Light

Rate It! Avg: 4.5 (674 ratings)
ALBUM INFORMATION
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Total Tracks: 8   Total Length: 40:04

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Douglas Wolk

eMusic Contributor

Douglas Wolk writes about pop music and comic books for Time, the New York Times, Rolling Stone, Wired and elsewhere. He's the author of Reading Comics: How Gra...more »

01.11.10
A revolutionary amalgam of sounds, built from the groove up
1983 | Label: Warner Bros.

When Talking Heads' fourth album appeared in 1980, nobody had ever made an album like it — and nothing much like it has been heard since: a startling, chattering amalgamation of Afrobeat, downtown NYC avant-garde sounds, the hard funk that had evolved alongside disco, snarling rock 'n' roll, and the cadences of frothing-at-the-mouth radio preachers. Expanding their lineup to include lacerating guitarist Adrian Belew, Labelle singer Nona Hendryx and producer/conceptualist Brian Eno, the band built these songs from the groove up, with liberating results. "Born Under Punches" is magnificent information overload, seemingly six different songs accidentally falling into synch; "Once In a Lifetime" is half prophecy, half midlife crisis, and all dancefloor-packer.

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Wonderful!

snappinshutters

This is a solid album. All of the tracks are well done and unique in their own right. For some reason, the "mixing" on "Houses in Motion" is low in comparison to the same track on their Best Of album (it sounds more quiet on this album for some reason). One should not be disappointed that some of the tracks are "album only". Get the whole album. You will not regret it.

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Stellar

ricardo222

Gets 6 stars from me for the bonus and brilliantly nerdy MIT collaboration on the album art. One of the best recordings of the 1980's and a modern classic. The tour of this album release was equally stunning. Only fools pass this one by.

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Love of Genius

TheodoreJackson

I have not listened to this album in 25 years..and I am blown away at how truly amazing it is. As good and relevant as anything being produced today. Hard to believe that the band that made this album descended into the band that made True Stories.

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transcend transcend

guapo

Nothing compares. If there's a better (rock?) album anywhere, it's this one's twisted sister, Bush of Ghosts. If there's a greater guitar solo than the first one on Great Curve, it could only be the second one on Great Curve. If there's a better prose poem than Seen and Not Seen, it's on a page somewhere, not on a rock album. On Great Curve, the vocal choruses build to four layers deep. This album floors me today, as it did 31 years ago. Once in a Lifetime...

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Crazy!

musicoptimist

a couple of these songs are good/great 80's music, but when they take the best songs and say "album only" it ruins the whole thing! i'm tired of seeing album only on all the hit's of everything! emusic, please!!

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Superb

MarkC888

Still not sure people have figured out the brilliance of what they did. Even as a too smart 20 something, I had no idea of the levels that they were unfurling musically and lyrically. Just brilliant!

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Talking Heads Finest

Bonescan

Funk and electronics mixed together like no other. This is the Talking Heads at their finest hour. Sure, they continued to create great music for years but Remain in Light is their best.

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Phenomenal Album

ZenGentleman

Personally, my favorite T-Heads record, though they have many outstanding albums throughout the years. Brian Eno working with the band really brought out something unique and inventive. Their previous album, Fear of Music, is also a TH classic that should not be missed.

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Getting better all the time

belanger

This might be the best album start to finish ever made. It is certainly one that just gets better with more listening.

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Absolutely amazing

AntEater

I never get tired of this album. Never. This was their best release of their career. The rhythms, the lyrics - every track from beginning to end is excellent.

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They Say All Media Guide

The musical transition that seemed to have just begun with Fear of Music came to fruition on Talking Heads’ fourth album, Remain in Light. “I Zimbra” and “Life During Wartime” from the earlier album served as the blueprints for a disc on which the group explored African polyrhythms on a series of driving groove tracks, over which David Byrne chanted and sang his typically disconnected lyrics. Remain in Light had more words than any previous Heads record, but they counted for less than ever in the sweep of the music. The album’s single, “Once in a Lifetime,” flopped upon release, but over the years it became an audience favorite due to a striking video, its inclusion in the band’s 1984 concert film Stop Making Sense, and its second single release (in the live version) because of its use in the 1986 movie Down and Out in Beverly Hills, when it became a minor chart entry. Byrne sounded typically uncomfortable in the verses (“And you may find yourself in a beautiful house, with a beautiful wife/And you may ask yourself, well, how did I get here?”), which were undercut by the reassuring chorus (“Letting the days go by”). Even without a single, Remain in Light was a hit, indicating that Talking Heads were connecting with an audience ready to follow their musical evolution, and the album was so inventive and influential, it was no wonder. As it turned out, however, it marked the end of one aspect of the group’s development and was their last new music for three years. – William Ruhlmann

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