We Built A Fire

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ALBUM INFORMATION

Total Tracks: 11   Total Length: 46:24

eMusic Review

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James McNair

eMusic Contributor

03.05.10
Orchestrated, agreeably quirky pagan folk, with room for occasional samples
2010 | Label: morr music / Morr Music GBR

Reykjavik's Seabear are a beguiling septet whose leader Sindri Már Sigfusson has the kind of pleasantly soporific voice that paid considerable dividends for José Gonsález. He and his bandmates make orchestrated, agreeably quirky music that melds elements of Iceland's pagan-folk past with a more contemporary indie sound that makes room for the occasional sample. The results should resonate nicely with fans of Sufjan Stevens and/or Gorky's Zygotic Mynci.

We Built A Fire is the outfit’s follow-up to 2007's Ghost That Carried Us Away. Once again, Sigfusson packs his songs with characters seemingly derived from some obscure folklore: the "Lion Face Boy" of the opening track and the newlyweds who carve their names on the bride's gnashers during "Wooden Teeth" make for a winningly offbeat cast.

Like so many other Icelandic acts before them — Sigur Rós; Múm; Björk — Seabear have a superb command of atmospherics. The twist, though, is Sigfusson's more traditional approach to songwriting — there are some surprisingly sturdy, accessible pop songs lying beneath the haze. “Cold Summer" skews acoustic and lovely, with treated piano, soft-focus brass and a winning undercurrent of chilly Icelandic melancholy, but the fabulous "Softship" — imagine a shoegazing Stereolab — point to a quizzical,… read more »

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They Say All Media Guide

Although recorded in an Icelandic basement — an environment one can only assume to be cold, cold, cold — We Built a Fire sounds tailor-made for the spring months, where wintry weather and warmer temperatures wrestle each other for control. Living so close to the North Pole has left its mark on the band, resulting in a number of hushed, atmospheric ballads with telling titles like “Fire Dies Down” and “Cold Summer.” But there’s a sense of summery energy here, too, and both extremes seem to draw strength from one another, with the ballads thrown into a starker, homespun light against their livelier counterparts. Sindri Már Sigfússon’s voice seems to hover just above a whisper — he’s closely miked throughout, as if these songs were tracked in a bedroom as opposed to a makeshift studio — leaving his six bandmates to direct the dynamics of each song, either by heaping on layers of indie folk instrumentation or scaling things back to a cozy level. Repeated listens bring a number of sounds to the surface — a hint of heartland twang, plenty of pop melodies, and an endearing messiness (evident in the half-sung, half-shouted background vocals) — but We Built a Fire is mostly concerned with mood, which it casts during the first minute of running time. – Andrew Leahey

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