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Judy Sucks A Lemon For Breakfast

Rate It! Avg: 4.0 (58 ratings)
Judy Sucks A Lemon For Breakfast album cover
01
Who Fingered Rock'n'Roll
3:48 $0.99
02
Soul School
3:31 $0.99
03
Half Brick
0:52 $0.99
04
Judy Sucks A Lemon For Breakfast
5:16 $0.99
05
Shut Southall Down
1:13 $0.99
06
Free Love
5:38 $0.99
07
The Roll Of Characteristics (Of History In The Making)
4:39 $0.99
08
Operation Push
4:17 $0.99
09
The Mighty Quinn
3:31 $0.99
10
The Constant Springs
4:09 $0.99
11
Chamchu
3:25 $0.99
12
The Turned On Truth (The Truth Is Turned On)
16:44
Album Information

Total Tracks: 12   Total Length: 57:03

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My band

tkdcoach

I love this band, even their missteps are cool. not an Erlewine fan at all, give him a 2 lol.

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Easy to Love

dmdstrhalo

This pretty much picks up where Handcream left off. It's fun, it grooves, yes, the sitar is awesome. Not as "eastern" as Born or Woman, but it's still there. The cover of "The Mighty Quinn" was an unexpected treat.

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More fun than sucking lemons...

Incitatus

Cornershop has upped their game on the last couple of albums. There are a couple of tracks here I consider weaker than the others, but their willingness to experiment with their sound is part of the charm. The killer tracks are killer though and the hooks hook. Overall it’s just a fun listen.

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Cornershop of cool

noizedjl

You can't go wrong with any Cornershop album. They make use of the sitar like few others in pop-rock music. This latest release is no different.

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They Say All Music Guide

Given Cornershop’s extended seven-year layoff, it’s not unreasonable to expect Judy Sucks a Lemon for Breakfast — the group’s first album since 2002′s Handcream for a Generation — to be somewhat of a reinvention for a group that specialized in ever-shifting change in the ’90s. As it turns out, Judy finds Cornershop riding a very, very comfortable groove, replicating the sound of feel of the bright, boogying Handcream while stripping away any of its intensity. That means that this is the friendliest batch of neo-glam to come down the pike in quite some time, never catching fire but never really striking a match, either, and it’s the least adventurous dose of eclecticism, too, with nary a sitar, Mellotron, or sample out of place. Familiarity may often breed contempt, but not here, because there’s a palpable sense of happiness running through the music — not something that’s exuberant, but rather mellow and colorful. By now, Cornershop’s blend of ’60s pop, ’70s rock, and ’90s multi-culturism feels as retro as their inspirations, but that’s only because the world has moved on to other fashions while the band has not. Instead of redefining their world, they’re happy to cultivate their own little garden, and when the fruit is as pleasing at this, it makes sense. – Stephen Thomas Erlewine

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