Waiting For The Sun

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ALBUM INFORMATION
  • Artist: The Doors (See All Albums by The Doors)
  • Date Released: Jun 24, 1975

  • Genre: Rock/Pop, Style: Classic Rock, Rock

  • Label: Rhino

Total Tracks: 11   Total Length: 32:52

eMusic Review

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Ben Fong-Torres

eMusic Contributor

04.06.10
The Doors' only No. 1 long-player
1975 | Label: Rhino

Time, and rock critics, have not been kind to the Doors' third album. Yet, Waiting for the Sun was their only No. 1 long-player. The explanation probably lies in "Hello, I Love You," which also hit the top of the charts. But the song — an early effort by Morrison, inspired by an African-American beach babe he'd spotted in Venice — was derided by some as a rip-off of any number of Kinks songs (think "All Day and All of the Night"). Which makes Robby Krieger laugh. "We actually stole it from Cream's 'Sunshine of Your Love,'" he told me.

While some critics dismissed the new hit as a pop ditty, The Doors included a couple of songs that seemed to sound political notes. "Five to One" warned, "The old get old and the young get stronger…they got the guns but we got the numbers."

And then there was "The Unknown Soldier," which producer Paul Rothchild figured to be the album's big hit. It was a powerful anti-war statement, especially when it was acted out on stage, with Krieger "executing" Morrison with his guitar-as-rifle. But radio went, instead, for the safer, and somehow more familiar-sounding "Hello, I Love You."

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Favorite Doors

bbeamer

I love the flow of songs on this album. "Yes the River Knows" is absoultely beautiful.

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the song isn't here

WVMMRH

why called "waiting on the sun" when the song called "waiting on the sun" isn't one of the songs in the compilation...interesting

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Icon: The Doors

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The Doors were open to everything, and that was the key to their success; to their crashing out of the gates in 1967 with "Light My Fire," to their overcoming the excesses of lead singer Jim Morrison and managing to produce six studio albums before Morrison's departure to Paris in 1971, never to return. Despite Morrison's self-destructive ways — climaxing in his arrest for onstage indecency in Miami in 1969 — the Doors had eight Top… more »

They Say All Media Guide

The Doors’ 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in “Love Street,” “Wintertime Love,” “Summer’s Almost Gone,” and “Yes, the River Knows,” there was no denying that the songwriting was not as impressive as it had been on the first two records. On the other hand, there were first-rate tunes such as the spooky “The Unknown Soldier,” with antiwar lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven “Hello, I Love You,” which nonetheless bore an uncomfortably close resemblance to the Kinks’ “All Day and All of the Night.” The flamenco guitar of “Spanish Caravan,” the all-out weirdness of “Not to Touch the Earth” (which was a snippet of a legendary abandoned opus, “The Celebration of the Lizard”), and the menacing closer “Five to One” were also interesting. In fact, time’s been fairly kind to the record, which is quite enjoyable and diverse, just not as powerful a full-length statement as the group’s best albums. – Richie Unterberger

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Activity

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