Homogenic Live

Rate It! Avg: 5.0 (8 ratings)
Homogenic Live album cover
Album Information
EDITOR'S PICK // LIVE

Total Tracks: 16   Total Length: 69:06

eMusic Review 0

Avatar Image
Andy Battaglia

eMusic Contributor

Andy Battaglia writes about music and culture of various other kinds from a home base in New York. His work has appeared in the Wall Street Journal, the Wire, t...more »

05.10.10
The show-tune goddess, against a dramatically pent-up backdrop
2010 | Label: One Little Indian / IODA

Recorded mostly in 1998, when Björk was busy cramming her biggest gestures into moody little corners, Homogenic Live finds the show-tune goddess shrieking and sulking against a dramatically pent-up backdrop. Culled from her first three albums (with seven songs from Homogenic proper), the varied tracklist flows through shattered electronic beats by producer Mark Bell and grand orchestration by the Icelandic String Octet, who give icy details a warm rub. The future-shock single "Hunter" takes on an Old World feel, with organic accordion pushed to the foreground and strings haunting beats that mimic a parade band in a bad mood. Björk's voice takes center-stage in a swooning, airy rendition of "You've Been Flirting Again," but "Isobel" quickly returns to crinkly rhythms that call for more in the way of digestion; Bell's production hand waves over an antic mix that pans and zooms through the song's internal and external squirm. Such real-time electronic treatments lend these live versions extra dynamism-from the squint-inducing synth glare of "All Neon Like" to the industrial swirl and clang underlying a terrific take on "Human Behaviour." All the while, Björk sounds both commanding and commanded, her strong vocal presence answering to ears wowed by what the songs… read more »

Write a Review 0 Member Reviews

Please register before you review a release. Register

Recommended Albums

eMusic Features

0

Who Is…Leila?

By Andrew Perry, eMusic Contributor

Leila registered a blip on the electronic-music radar in the late '90s, after associations with musical heroes Björk and Aphex Twin saw her debut record on Aphex's Rephlex label, Like Weather, earn a warm reception for its lush, slo-mo textures. A second album, 2000's Courtesy of Choice, spread her name a little wider. Some critics said she was trip-hop; Ms Arab vehemently disagreed. But even without a cosy niche, her future looked rosy. All that was… more »

0

eMusic Q&A: Omar Souleyman

By Chris Nickson, eMusic Contributor

On the map of Syria, a slim finger of land extends to the northeast. This is Hassake, the country's breadbasket, a land of plenty where the countryside is fertile and dominated by farms. Deep in Hassake, out near the fingertip, lies Jazeera, a region of small towns and villages that stand closer to Iraq and Turkey than the country's capital, Damascus, 12 hours away by road. It's a world away from the huge crowds of… more »

0

eMusic Q&A: Bjork

By Andrew Perry, eMusic Contributor

One of the pop world's most intrepid and unique artists (of either gender), Björk has fearlessly skipped through genres as diverse as disco-pop and anarcho-punk, big band swing and avant-garde techno, in a career spanning almost thirty years. Her name is synonymous with integrity, otherness and a questing spirit that's rare in the post-millennial landscape. The latter quality has inspired her in 2011 to devise probably her most ground-breaking work to date, with Biophilia. More than… more »

0

Icon: Björk

By eMusic Editorial Staff, eMusic Contributor

Björk's got a lot going for her: eccentric songwriting, visual presence, a smartly chosen bunch of collaborators, high-flying conceptual grandeur. More than anything, though, she's got a voice like nothing else on the planet. It's bizarre and lovely, a sound that seems at home both on radio hits and in avant-garde art spaces. It communicates at least as much as her songs themselves, and in fact presenting lyrics is pretty far from the point: unless… more »

0

From a Whisper to a Scream

By Douglas Wolk, eMusic Contributor

Björk's got a lot going for her: eccentric songwriting, visual presence, a smartly chosen bunch of collaborators, high-flying conceptual grandeur. More than anything, though, she's got a voice like nothing else on the planet. It's bizarre and lovely, a sound that seems at home both on radio hits and in avant-garde art spaces. It communicates at least as much as her songs themselves, and in fact presenting lyrics is pretty far from the point: unless… more »

0

Will Oldham and the Wisdom of Palace

By Douglas Wolk, eMusic Contributor

There are some received ideas about Will Oldham, aka Palace/Palace Music/Palace Brothers/Palace Songs, aka Bonnie "Prince" Billy, that just won't seem to die: that he's a "folk" artist, that he's all about "Appalachian" music, that he's an innocent, Bible-thumping soul who somehow stumbled upon the indie-rock world - that he is, in short, some kind of hick or hayseed. He doesn't exactly discourage them with his image (the crack in his voice, his burning stare,… more »

Activity